A work in constant progress (and occasional regress).
Release Date:
April 20, 1957
Original Title:
Kanał
Alternate Titles:
Canal
Canalul
Chika suidou
Csatorna
De 63 dage
Der Kanal
I dannati di Varsavia
Ils aimaient la vie
Kanal
Kanal - de förtappades väg
Kanal - kirottujen tie
Kanaly
Kanał
La patrulla de la muerte
Medan döden väntar
Morrer como um Homem
Oi iroes tis Varsovias
The Sewer
They Loved Life
Warschau 1944 - Der Kanal
Zij hielden van het leven
Канал
下水道
카날
Genres:
Drama | War
Production Companies:
Zespół Filmowy Kadr
Production Countries:
Poland
Ratings / Certifications:
FI: K-16 NL: 16 SE: 15
Runtime: 96
During the last few days of the Warsaw Uprising following World War II, a modest group of Resistance members remains. The band must take refuge in the sewers under the orders of leader Zadra, but it's only a matter of time before they will have to emerge. However, when they try, they are met only with intense hostility from the Nazis. Despite their attempts stay resolute through immense mental strain, it becomes increasingly apparent that they may be doomed.
Assistant Camera:
Andrzej Gronau
Czesław Grabowski
Assistant Director:
Maria Starzeńska
Janusz Morgenstern
Anita Janeczkowa
Assistant Editor:
Aurelia Rut
Assistant Makeup Artist:
Halina Ber
Assistant Production Design:
Roman Wołyniec
Halina Dobrowolska
Assistant Production Manager:
Ludwik Hager
Camera Operator:
Jerzy Wójcik
Construction Foreman:
Ignacy Gaworkiewicz
Costume Design:
Jerzy Szeski
Director:
Andrzej Wajda
Director of Photography:
Jerzy Lipman
Editor:
Halina Nawrocka
First Assistant Director:
Kazimierz Kutz
Lighting Technician:
Antoni Tabak
Makeup Artist:
Halina Sieńska
Musician:
Adam Pawlikowski
Original Music Composer:
Jan Krenz
Production Design:
Roman Mann
Production Manager:
Stanisław Adler
Screenplay:
Jerzy Stefan Stawiński
Set Decoration:
Leonard Mokicz
Short Story:
Jerzy Stefan Stawiński
Sound:
Józef Bartczak
Sound Assistant:
Adam Okapiec
Józef Dąbrowski
Roman Brański
Unit Manager:
Zbigniew Brejtkopf
Arkadiusz Orłowski
Tadeusz Bierczynski
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.