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David Greathouse

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Birthplace:
Crestline, Ohio, USA

Biography from TheMovieDB

David Greathouse is known for Ra.One (2011), The Usual Suspects (1995) and The Killing of a Sacred Deer (2017). House is a completely self-taught SFX makeup artist He got his start at just ten years old in his Aunt's costume shop, where she turned him on to special effects makeup. House honed his skills designing and performing in haunted houses. House considers himself very fortunate to have worked as a shop rat in Los Angeles, where he believes he was able to pick the brains and grab some talent of some of the industry's best. His biggest influence, perhaps, is Robert Kurtzman, with whom he currently works at Creature Corps in Ohio. If he wins the show, House plans on producing and directing a feature film.

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Additional information:

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Film Performances

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Film Production

Costume Design:
2006  Bigfoot

Makeup Effects:
2006  Bigfoot
2018  The Toybox

Second Unit Director:
2006  Bigfoot
2017  ClownTown
2018  The Toybox

Special Effects:
2006  Bigfoot
2017  ClownTown
2018  The Toybox
2024  Replicator

Special Effects Key Makeup Artist:
2006  Bigfoot
2017  ClownTown
2018  The Toybox
2020  The Pale Door
2022  Scare Package II: Rad Chad’s Revenge
2024  Replicator

Special Effects Makeup Artist:
1993  Knights
1999  Magnolia
2001  The Vault
2006  Bigfoot
2014  Tusk
2017  ClownTown
2017  Inoperable
2017  The Killing of a Sacred Deer
2018  The Strangers: Prey at Night
2018  The Toybox
2020  The Pale Door
2021  Escape from Death Block 13
2021  Wrong Turn
2022  Isolated
2022  Obstacle Corpse
2022  Scare Package II: Rad Chad’s Revenge
2023  A Creature Was Stirring
2024  Dead Teenagers
2024  Replicator
2024  The Exorcism of Saint Patrick
2024  Wolves Against the World
2025  Shelby Oaks

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TV Production

Co-Executive Producer:
2016  The Night Manager

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.