A work in constant progress (and occasional regress).
Release Date:
January 26, 2021
Original Title:
Wrong Turn
Alternate Titles:
Détour mortel : La fondation
Korku Kapanı 7
Pach krve 7
Pach krvi
Wrong Turn 7
Wrong Turn: The Foundation
Поворот не туда
סיבוב מסוכן
クライモリ
致命弯道 重启版
致命弯道7
致命弯道重启版
롱 턴
Genres:
Horror | Thriller
Production Companies:
Constantin Film
Lionsgate
Tea Shop & Film Company
The H Collective
Production Countries:
Germany | United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BR: 18 DE: 18 ES: 18 FI: K-16 FR: 16 GB: 18 HU: 18 IE: 18 JP: R15+ KR: 15 LT: N-16 NZ: 16 PL: 18 PT: M/16 RU: 18+ US: R
Runtime: 110
Jen and a group of friends set out to hike the Appalachian Trail. Despite warnings to stick to the trail, the hikers stray off course—and cross into land inhabited by The Foundation, a hidden community of mountain dwellers who use deadly means to protect their way of life.
"A" Camera Operator:
Alexander Elkins
"B" Camera Operator:
Anthony J. Rickert-Epstein
Additional Editor:
Clayton Condit
Art Direction:
Scott Daniel
Assistant Property Master:
Stephanie Postich
Assistant Sound Editor:
Mark Coffey
Boom Operator:
Tash Ann
CG Supervisor:
Erin Nicholson
Carpenter:
Brett P. Jackson
Casting:
Nancy Nayor
Casting Associate:
Dominika Posserén
Casting Director:
Nancy Nayor
Co-Producer:
Dylan Tarason
Compositor:
Jean-Paul Ear
Costume Designer:
Gina Ruiz
Costume Supervisor:
Robin Fields
Dialect Coach:
Rea Nolan
Dialogue Editor:
Michael Baird
Digital Compositor:
James Rumas
Kyle Sim
Greg Lamar
Digital Imaging Technician:
Eric Ransbottom
Director:
Mike P. Nelson
Director of Photography:
Nick Junkersfeld
Dolly Grip:
Mike Dittiacur
Editor:
Tom Elkins
Electrician:
Dylan Algie
Executive Producer:
Bill Bromiley
Fiona Yang Li
Martin Moszkowicz
Christian Oliver
Jonathan Saba
Alan B. McElroy
Shanan Becker
Ness Saban
First Assistant "A" Camera:
Geoffrey Storts
First Assistant "B" Camera:
Michael Wooten
First Assistant Director:
Doug Turner
Foley Artist:
Tara Blume
Monique Reymond
Foley Editor:
Alexander Jongbloed
Foley Mixer:
Geordy Sincavage
Gaffer:
Mike Dickman
Graphic Designer:
Samantha Drake
Hair Department Head:
Scott H. Reeder
Hairstylist:
Anna Maria Reyer
Key Hairdresser:
Samantha Maloney
Key Makeup Artist:
Beki Ingram
Leadman:
Andy Flynn
Line Producer:
Jon D. Wagner
Location Manager:
Alan Forbes
Makeup Artist:
Amber Johnson
Makeup Department Head:
Jodi Byrne
Music Editor:
Michael T. Ryan
On Set Dresser:
Nick Pirrmann
Original Music Composer:
Stephen Lukach
Post Production Supervisor:
David Scharf
Producer:
James Harris
Robert Kulzer
Production Design:
Roshelle Berliner
Production Designer:
Roshelle Berliner
Production Supervisor:
Brianna Lee Johnson
Property Master:
Bryan Staerkel
Scenic Artist:
Mark C Barnett
Screenplay:
Alan B. McElroy
Script Supervisor:
Claire Tanner
Second Assistant "A" Camera:
Joe Bou
Second Assistant Director:
Tami Kumin
Second Second Assistant Director:
Casey Shelton
Second Unit Director:
T.J. White
Set Decoration:
Stephonika W. Kaye
Set Designer:
Geza Kassai
Ryan Goertz
Set Dresser:
Nick Laughlin
Ryan Tudor
Sound Mixer:
Chris Polczinski
Sound Re-Recording Mixer:
Jason Dotts
Ted Teske
Special Effects Makeup Artist:
Ryan Shaddelee
Special Effects Supervisor:
Kyle Roberts
Special Effects Technician:
Antonio Grassano
Steadicam Operator:
Dean Smollar
Stunt Coordinator:
T.J. White
Stunt Double:
Janelle Beaudry
Chris Gann
William Haithco III
Cody Bo Kruger
James Ortiz
R. Matthew Scheib
Ryan Sturz
Curtis Lyons
Lydia Hand
Juliene Joyner
Xavier Luo
Stunts:
Amy Greene
Brian Searle
Chris Hahn
Supervising Sound Editor:
Jason Dotts
Title Designer:
Mike P. Nelson
Transportation Captain:
Craig Metzger
Unit Production Manager:
Jon D. Wagner
Utility Stunts:
Richard Fike
Tim James
Visual Effects Supervisor:
Kevin Chandoo
Weapons Master:
Bryan Staerkel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.