Wrong Turn (2021) [R]

Release Date:
January 26, 2021

Original Title:
Wrong Turn

Alternate Titles:
Détour mortel : La fondation
Korku Kapanı 7
Pach krve 7
Pach krvi
Wrong Turn 7
Wrong Turn: The Foundation
Поворот не туда
סיבוב מסוכן
クライモリ
致命弯道 重启版
致命弯道7
致命弯道重启版
롱 턴

Genres:
Horror | Thriller

Production Companies:
Constantin Film
Lionsgate
Tea Shop & Film Company
The H Collective

Production Countries:
Germany | United Kingdom | United States of America

Ratings / Certifications:
AU: MA15+  BR: 18  DE: 18  ES: 18  FI: K-16  FR: 16  GB: 18  HU: 18  IE: 18  JP: R15+  KR: 15  LT: N-16  NZ: 16  PL: 18  PT: M/16  RU: 18+  US: R 

Runtime: 110

We still haven't learned.

Jen and a group of friends set out to hike the Appalachian Trail. Despite warnings to stick to the trail, the hikers stray off course—and cross into land inhabited by The Foundation, a hidden community of mountain dwellers who use deadly means to protect their way of life.

Additional information:

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"A" Camera Operator:
Alexander Elkins

"B" Camera Operator:
Anthony J. Rickert-Epstein

Additional Editor:
Clayton Condit

Art Direction:
Scott Daniel

Assistant Property Master:
Stephanie Postich

Assistant Sound Editor:
Mark Coffey

Boom Operator:
Tash Ann

CG Supervisor:
Erin Nicholson

Carpenter:
Brett P. Jackson

Casting:
Nancy Nayor

Casting Associate:
Dominika Posserén

Casting Director:
Nancy Nayor

Co-Producer:
Dylan Tarason

Compositor:
Jean-Paul Ear

Costume Designer:
Gina Ruiz

Costume Supervisor:
Robin Fields

Dialect Coach:
Rea Nolan

Dialogue Editor:
Michael Baird

Digital Compositor:
James Rumas
Kyle Sim
Greg Lamar

Digital Imaging Technician:
Eric Ransbottom

Director:
Mike P. Nelson

Director of Photography:
Nick Junkersfeld

Dolly Grip:
Mike Dittiacur

Editor:
Tom Elkins

Electrician:
Dylan Algie

Executive Producer:
Bill Bromiley
Fiona Yang Li
Martin Moszkowicz
Christian Oliver
Jonathan Saba
Alan B. McElroy
Shanan Becker
Ness Saban

First Assistant "A" Camera:
Geoffrey Storts

First Assistant "B" Camera:
Michael Wooten

First Assistant Director:
Doug Turner

Foley Artist:
Tara Blume
Monique Reymond

Foley Editor:
Alexander Jongbloed

Foley Mixer:
Geordy Sincavage

Gaffer:
Mike Dickman

Graphic Designer:
Samantha Drake

Hair Department Head:
Scott H. Reeder

Hairstylist:
Anna Maria Reyer

Key Hairdresser:
Samantha Maloney

Key Makeup Artist:
Beki Ingram

Leadman:
Andy Flynn

Line Producer:
Jon D. Wagner

Location Manager:
Alan Forbes

Makeup Artist:
Amber Johnson

Makeup Department Head:
Jodi Byrne

Music Editor:
Michael T. Ryan

On Set Dresser:
Nick Pirrmann

Original Music Composer:
Stephen Lukach

Post Production Supervisor:
David Scharf

Producer:
James Harris
Robert Kulzer

Production Design:
Roshelle Berliner

Production Designer:
Roshelle Berliner

Production Supervisor:
Brianna Lee Johnson

Property Master:
Bryan Staerkel

Scenic Artist:
Mark C Barnett

Screenplay:
Alan B. McElroy

Script Supervisor:
Claire Tanner

Second Assistant "A" Camera:
Joe Bou

Second Assistant Director:
Tami Kumin

Second Second Assistant Director:
Casey Shelton

Second Unit Director:
T.J. White

Set Decoration:
Stephonika W. Kaye

Set Designer:
Geza Kassai
Ryan Goertz

Set Dresser:
Nick Laughlin
Ryan Tudor

Sound Mixer:
Chris Polczinski

Sound Re-Recording Mixer:
Jason Dotts
Ted Teske

Special Effects Makeup Artist:
Ryan Shaddelee

Special Effects Supervisor:
Kyle Roberts

Special Effects Technician:
Antonio Grassano

Steadicam Operator:
Dean Smollar

Stunt Coordinator:
T.J. White

Stunt Double:
Janelle Beaudry
Chris Gann
William Haithco III
Cody Bo Kruger
James Ortiz
R. Matthew Scheib
Ryan Sturz
Curtis Lyons
Lydia Hand
Juliene Joyner
Xavier Luo

Stunts:
Amy Greene
Brian Searle
Chris Hahn

Supervising Sound Editor:
Jason Dotts

Title Designer:
Mike P. Nelson

Transportation Captain:
Craig Metzger

Unit Production Manager:
Jon D. Wagner

Utility Stunts:
Richard Fike
Tim James

Visual Effects Supervisor:
Kevin Chandoo

Weapons Master:
Bryan Staerkel

About the Movie Section

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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