A work in constant progress (and occasional regress).
Birthplace:
Mannheim, Germany
Born:
August 2, 1957
Juliane Lorenz is a German film editor best known for her work with and relationship to director Rainer Werner Fassbinder. She is the head of the Fassbinder Foundation, an organization that seeks to preserve and promote the filmmaker's legacy. She has authored or edited several books on the director's life and work, and has directed a documentary on the same subject.
Assistant Director:
1979 The Third Generation
Director:
1979 The Third Generation
1998 Life, Love & Celluloid
2007 Fassbinder's Berlin Alexanderplatz: A Mega Movie and Its Story
2010 Rainer Werner Fassbinder's World on a Wire: Looking Ahead to Today
2017 Eight Hours Don’t Make a Day: A Series Becomes a Family Reunion
Editor:
1977 The Stationmaster’s Wife
1978 Despair
1978 Germany in Autumn
1978 In a Year with 13 Moons
1978 Spiel der Verlierer
1979 The Marriage of Maria Braun
1979 The Third Generation
1981 Lili Marleen
1981 Lola
1982 Querelle
1982 Veronika Voss
1984 Love Is Not an Argument
1985 Marie Ward - Zwischen Galgen und Glorie
1986 The Rose King
1989 The Girlfriend
1990 Das einfache Glück
1991 Malina
1996 Love’s Debris
1998 Life, Love & Celluloid
2002 Deux
2007 Fassbinder's Berlin Alexanderplatz: A Mega Movie and Its Story
2010 Rainer Werner Fassbinder's World on a Wire: Looking Ahead to Today
2017 Eight Hours Don’t Make a Day: A Series Becomes a Family Reunion
Producer:
1977 The Stationmaster’s Wife
1978 Despair
1978 Germany in Autumn
1978 In a Year with 13 Moons
1978 Spiel der Verlierer
1979 The Marriage of Maria Braun
1979 The Third Generation
1981 Lili Marleen
1981 Lola
1982 Querelle
1982 Veronika Voss
1984 Love Is Not an Argument
1985 Marie Ward - Zwischen Galgen und Glorie
1986 The Rose King
1989 The Girlfriend
1990 Das einfache Glück
1991 Malina
1996 Love’s Debris
1998 Life, Love & Celluloid
2002 Deux
2007 Fassbinder's Berlin Alexanderplatz: A Mega Movie and Its Story
2010 Rainer Werner Fassbinder's World on a Wire: Looking Ahead to Today
2017 Eight Hours Don’t Make a Day: A Series Becomes a Family Reunion
Screenplay:
1977 The Stationmaster’s Wife
1978 Despair
1978 Germany in Autumn
1978 In a Year with 13 Moons
1978 Spiel der Verlierer
1979 The Marriage of Maria Braun
1979 The Third Generation
1981 Lili Marleen
1981 Lola
1982 Querelle
1982 Veronika Voss
1984 Love Is Not an Argument
1985 Marie Ward - Zwischen Galgen und Glorie
1986 The Rose King
1989 The Girlfriend
1990 Das einfache Glück
1991 Malina
1996 Love’s Debris
1998 Life, Love & Celluloid
2002 Deux
2007 Fassbinder's Berlin Alexanderplatz: A Mega Movie and Its Story
2010 Rainer Werner Fassbinder's World on a Wire: Looking Ahead to Today
2017 Eight Hours Don’t Make a Day: A Series Becomes a Family Reunion
Script:
1977 The Stationmaster’s Wife
1978 Despair
1978 Germany in Autumn
1978 In a Year with 13 Moons
1978 Spiel der Verlierer
1979 The Marriage of Maria Braun
1979 The Third Generation
1981 Lili Marleen
1981 Lola
1982 Querelle
1982 Veronika Voss
1984 Love Is Not an Argument
1985 Marie Ward - Zwischen Galgen und Glorie
1986 The Rose King
1989 The Girlfriend
1990 Das einfache Glück
1991 Malina
1996 Love’s Debris
1998 Life, Love & Celluloid
2002 Deux
2007 Fassbinder's Berlin Alexanderplatz: A Mega Movie and Its Story
2010 Rainer Werner Fassbinder's World on a Wire: Looking Ahead to Today
2017 Eight Hours Don’t Make a Day: A Series Becomes a Family Reunion
Thanks:
1977 The Stationmaster’s Wife
1978 Despair
1978 Germany in Autumn
1978 In a Year with 13 Moons
1978 Spiel der Verlierer
1979 The Marriage of Maria Braun
1979 The Third Generation
1981 Lili Marleen
1981 Lola
1982 Querelle
1982 Veronika Voss
1984 Love Is Not an Argument
1985 Marie Ward - Zwischen Galgen und Glorie
1986 The Rose King
1987 Egomania: Island Without Hope
1989 The Girlfriend
1990 Das einfache Glück
1991 Malina
1996 Love’s Debris
1998 Life, Love & Celluloid
2002 Deux
2007 Fassbinder's Berlin Alexanderplatz: A Mega Movie and Its Story
2010 Rainer Werner Fassbinder's World on a Wire: Looking Ahead to Today
2017 Eight Hours Don’t Make a Day: A Series Becomes a Family Reunion
Writer:
1977 The Stationmaster’s Wife
1978 Despair
1978 Germany in Autumn
1978 In a Year with 13 Moons
1978 Spiel der Verlierer
1979 The Marriage of Maria Braun
1979 The Third Generation
1981 Lili Marleen
1981 Lola
1982 Querelle
1982 Veronika Voss
1984 Love Is Not an Argument
1985 Marie Ward - Zwischen Galgen und Glorie
1986 The Rose King
1987 Auf der Suche nach der Sonne
1987 Egomania: Island Without Hope
1989 The Girlfriend
1990 Das einfache Glück
1991 Malina
1996 Love’s Debris
1998 Life, Love & Celluloid
2002 Deux
2007 Fassbinder's Berlin Alexanderplatz: A Mega Movie and Its Story
2010 Rainer Werner Fassbinder's World on a Wire: Looking Ahead to Today
2017 Eight Hours Don’t Make a Day: A Series Becomes a Family Reunion
Editor:
1980 Berlin Alexanderplatz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.