A work in constant progress (and occasional regress).
Release Date:
September 20, 1978
Original Title:
Despair
Alternate Titles:
Den desperate mand
Despair: Uma Viagem na Luz
Dobbeltgjengeren
Désespoir
Kohti auringonlaskua
Uma Viagem para a Luz
Utazás a fénybe
Απόγνωση
デスペア 光明への旅
Genres:
Drama | Thriller
Production Companies:
Bavaria Studios
Production Countries:
Germany
Ratings / Certifications:
DE: 12 NL: 12
Runtime: 117
Berlin, 1930, during the rise of Nazism. Hermann Hermann, a Russian emigrant and chocolate manufacturer, married to the capricious Lydia, loses his temper more and more every day when dealing with his workers and other businessmen; until he meets Felix, a vagrant, who seems to be physically identical to him; a disconcerting fact that leads Hermann Hermann to plot a particular way out of a fake world he actually hates.
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Art Direction:
Herbert Strabel
Jochen Schumacher
Assistant Director:
Harry Baer
Stefan Zürcher
Ronald M. Scheich
Assistant Editor:
Christine Fritz
Boom Operator:
John Stevenson
Costume Designer:
Dagmar Schauberger
Max Dietl
Director:
Rainer Werner Fassbinder
Director of Photography:
Michael Ballhaus
Editor:
Juliane Lorenz
Rainer Werner Fassbinder
In Memory Of:
Antonin Artaud
Vincent van Gogh
Unica Zürn
Makeup Artist:
Peter Knöpfle
Any Nöbauer
Novel:
Vladimir Nabokov
Original Music Composer:
Peer Raben
Producer:
Peter Märthesheimer
Production Design:
Rolf Zehetbauer
Production Executive:
Lutz Hengst
Production Supervisor:
Dieter Minx
Property Master:
Klaus Meyenberg
Ulrich Wendt
Lothar Tropp
Screenplay:
Tom Stoppard
Script Supervisor:
Elke Vogt
Set Decoration:
Jochen Schumacher
Sound Mixer:
James Willis
Milan Bor
Sound Re-Recording Mixer:
Milan Bor
Still Photographer:
Karl-Heinz Vogelmann
Unit Manager:
Wulf Ghastaus
Don French
Lutz Winter
Rudolf Geiger
Marcel Höhn
Wardrobe Supervisor:
Georg Kuhn
Karin Geuer
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.