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Juan Diego Botto (b. 1975)

Birthplace:
Buenos Aires, Argentina

Born:
August 29, 1975

Biography from TheMovieDB

From Wikipedia, the free encyclopedia  Juan Diego Botto-Rota (born August 29, 1975, in Buenos Aires, Argentina) is an Argentine-Spanish actor.  Botto's father disappeared during the Argentine Dirty War when Juan Diego was only two years old. With his mother and older sister María, also an actress, he moved to Madrid, Spain, where he currently resides.  Botto started acting at the age of 5 in the film Juego de poder (Power Game). His role in the 1999 film Sobreviviré (I will survive), about a woman who falls in love with a man who, unknown to her, is homosexual, got him more national and international recognition.  Botto has appeared on stage in Spain in several critically acclaimed plays. He also directed a play called Privilegio de ser perro (Privilege of Being a Dog), about the tough life immigrants are subjected to while trying to sneak into and live in a new country.  Currently Botto lives in Madrid with his partner, the Spanish journalist and writer Olga Rodríguez. He is also active in politics, protesting the 2003 war in Iraq several times with fellow Spaniards and taking part in a support group for fellow children of the disappeared. Description above from the Wikipedia article Juan Diego Botto, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Film Performances

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Film Production

Director:
2004  With Good Reason
2022  On the Fringe

Screenplay:
2004  With Good Reason
2022  On the Fringe

Writer:
2003  Los abajo firmantes
2004  With Good Reason
2022  On the Fringe

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TV Performances

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TV Production

Director:
2020  Tales of the Lockdown

Writer:
2020  Tales of the Lockdown

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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