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The Widows of Thursdays (2009) [N/A]

Release Date:
September 10, 2009

Original Title:
Las viudas de los jueves

Genres:
Crime | Drama | Mystery

Production Companies:
Castafiore Films
Haddock Films
INCAA
Instituto de la Cinematografía y de las Artes Audiovisuales
Telefe
Tornasol Films

Production Countries:
Argentina | Spain

Ratings / Certifications:
 N/A

Runtime: 122

The dark side of a perfect life

Overview from TheMovieDB

The closed community of a private neighborhood of high-priced houses, is moved by the discovery of three corpses that appear floating in a pool and rushes to frame it as an accident.

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Trailer

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Performers

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Production

ADR Editor:
Cecilia Pérez Riveros

ADR Recordist:
Leandro de Loredo
Javier Losantos

ADR Supervisor:
José Luis Díaz

Art Direction:
Jorge Ferrari
Juan Mario Roust

Assistant Art Director:
Albertina Klitenik
Silvia Parravicini
Mariano Smaldini

Assistant Camera:
Fernando Blanc
David Mayo
Lucas Guardia

Assistant Director:
Fabiana Tiscornia

Assistant Director Trainee:
Agustina Figueras
Milagros Hormazábal
Miguel Ángel Valera

Assistant Editor:
Jorge Firdman

Assistant Grip:
Gonzalo Saller
Darío Gugliotta

Assistant Location Manager:
Andrea Cabral
Maricruz Turon

Assistant Makeup Artist:
Mariela Aracena
Mariela Hermo

Assistant Production Manager:
Gastón Grazide
Leonardo Polesel
Juan Martín Treffinger

Assistant Property Master:
Fernando Risso

Associate Producer:
Axel Kuschevatzky

Boom Operator:
Diego Colombo
Gaspar Scheuer

Camera Operator:
Daniel Federico Fernández

Casting:
Natalia Smirnoff

Colorist:
Carlos García Arranz

Continuity:
María Guerra

Costume Assistant:
Alejandra Albert
Betina Andreose
Lucía Fernández

Costume Design:
Ana Markarián

Delegated Producer:
Daniela Alvarado

Dialogue Editor:
Nicolás de Poulpiquet

Digital Compositor:
Tomás Bubis
Ivo Dukcevic
Lucía Guerra Diaz
Diego Gutiérrez

Director:
Marcelo Piñeyro

Director of Photography:
Alfredo Mayo

Dolby Consultant:
Jaume Puig

Editor:
Juan Carlos Macías

Electrician:
Javier Portabales
Daniel Puyol
Horacio Reyes
Fernando Rovella
Pablo Centeno
Daniel Maidana

Executive Producer:
Vanessa Ragone
Mariela Besuievsky

Executive Producer's Assistant:
Guillermo Imsteyf

Extras Casting Assistant:
Héctor P. Adeva

Film Processor:
Beto Acevedo

First Assistant Camera:
Ramiro Sabell hijo

First Assistant Director:
Mariana Gamboa

Gaffer:
Ricardo Rodríguez
Sergio Centeno

Generator Operator:
Sergio Salgado

Grip:
Juan Manuel Muñoz

Hairstylist:
Yamila Ferrari
Kenyar Padilla

Key Grip:
Anselmo Villalba

Key Hair Stylist:
Alejandro Granado

Line Producer:
Carolina Urbieta

Location Manager:
Federico Noejovich
Leticia Tapia

Makeup Artist:
Antonia Pérez
Beata Wójtowicz

Makeup Designer:
Beata Wójtowicz

Music:
Roque Baños

Novel:
Claudia Piñeiro

Post Production Coordinator:
María Merediz
Ricardo Real

Producer:
Gerardo Herrero

Production Assistant:
Nadia Martínez

Production Manager:
Josean Gómez
Juan Pablo Miller

Property Master:
Luis Risso
Juan Sánchez Castro

Props:
Luis Risso
Francisco Javier Garrido
Pablo Liciotti
Iván Marquerie
Oriel Pérez
Ángel Sarrión

Screenplay:
Marcelo Figueras
Marcelo Piñeyro

Second Assistant Director:
Juan Mendoza Zelis
Jaume Quiles

Set Designer:
Dolores Quirós

Sound:
Eduardo Esquide

Sound Re-Recording Mixer:
Carlos Garrido

Sound Recordist:
Perfecto de San José

Still Photographer:
Karina Suárez
Lucía Faraig

Supervising Sound Editor:
Carlos Schmukler

VFX Artist:
Swan Glecer
Juan José Sánchez

Video Assist Operator:
Cinthia Pinasco

Visual Effects Coordinator:
Agustín Ignacio Álvarez

Visual Effects Supervisor:
Juan Ignacio Cabrera
Leandro Visconti

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.