A work in constant progress (and occasional regress).
Birthplace:
Detroit, Michigan, USA
Sally Lawton is a filmmaker and writer born in Detroit, Michigan. Her work combines documentary practice and experimental techniques. She received a BA in Digital Cinema from DePaul University (2013), and a MFA from the University of Wisconsin-Milwaukee (2022). Her films have been exhibited at festivals, museums and galleries, including Media City Film Festival, Echo Park Film Center, Onion City Film Festival, among others. Her writing has been featured in Brink Literary Journal and her first publication On Second Thought was published by Diagram Press in 2022. She has curated programs for The Nightingale Cinema, Constellation, Cinema Borealis, and Mothlight Microcinema. She currently teaches at The University of Wisconsin–Milwaukee and the Milwaukee Institute of Art and Design.
Director:
2014 The Garden of Delights
2015 California Psych
2017 Patrick Worth Dying For
2017 The Hard Earth
2018 Sky High and the Color of Money
2018 Tolerance Radiant
2019 Self—Symbol
2020 Gravidity Part 1
2022 The Red Tide
2022 We May Go In a Different Direction
2023 Garden Variety
Writer:
2014 The Garden of Delights
2015 California Psych
2017 Patrick Worth Dying For
2017 The Hard Earth
2018 Sky High and the Color of Money
2018 Tolerance Radiant
2019 Self—Symbol
2020 Gravidity Part 1
2022 The Red Tide
2022 We May Go In a Different Direction
2023 Garden Variety
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.