A work in constant progress (and occasional regress).
Release Date:
February 25, 2022
Original Title:
We May Go In a Different Direction
Ratings / Certifications:
US: NR
Runtime: 9
"Poetry is in opposition to the truth of the myth" Laura Riding Jackson, This film is inspired by Laura Riding Jackson’s idea that poetry is the only discourse that can transcend myth, but will also always come up against a limitation in language. The built-in poetics of Detroit’s Central Train Station are explored. Henry Ford's influence in the city lead to divestment in trains and the station closed in 1988. In 2018 The Ford Motor Company bought the abandoned station and announced plans to transform it into the companies' self-driving car headquarters. The film tries to undo the mythology around Ford, both old and new, as an anchor for the city. The poetics find limitations in Detroit’s ongoing desire for innovation and growth - often at the expense of truth.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.