A work in constant progress (and occasional regress).
Alias:
Раф Валлоне
Birthplace:
Tropea, Calabria, Italy
Born:
February 17, 1916
Died:
October 31, 2002
Raffaele "Raf" Vallone (17 February 1916 – 31 October 2002) was an Italian actor and an international film star. Born in Tropea, Calabria, the son of a lawyer, Vallone attended Liceo classico Cavour in Turin, and studied Law and Philosophy at the University of Turin and entered his father's law firm. He played professional Football at a young age, playing in Serie A for Torino. He won an Italian Cup with his team in season 1935-1936. Subsequently, he became the editorial head of the culture section of L'Unità, then the official newspaper of the Italian Communist Party, and also a film and drama critic for the Turin newspaper La Stampa. During World War II, Vallone served with the Communist resistance. His first film appearance was as a sailor in We the Living (1942), but Vallone was not interested in an acting career. Nevertheless, he was cast as a soldier competing with Vittorio Gassman for the love of Silvana Mangano in Riso amaro (Bitter Rice) (1949). The film became a neo-realist classic and Vallone was launched on an international career. In 2001 he published his autobiography, L'alfabeto della memoria, with Gremese (Rome). Vallone was married to the actress Elena Varzi from 1952 until his death. They had three children, two of whom are actors, Eleonora Vallone and Saverio Vallone. He died in Rome on 31 October 2002. Description above from the Wikipedia article Raf Vallone, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.