A work in constant progress (and occasional regress).
Release Date:
January 19, 1962
Original Title:
Vu du pont
Alternate Titles:
Uno sguardo dal ponte
Genres:
Drama
Production Countries:
France | Italy
Ratings / Certifications:
US: NR
Runtime: 110
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two brothers, illegal immigrants, Marco and Rodolpho. Catherine falls in love with Rudolpho; and Eddie, tormented but unable to admit even to himself his quasi-incestuous love, reports the illegal immigrants to the authorities.
Assistant Art Director:
Jean-Jacques Fabre
Georges Glon
Assistant Director:
Angelo Laiacona
Assistant Editor:
Nicole Gauduchon
Hadassa Misrahi
Boom Operator:
Maurice Dagonneau
Camera Operator:
Wladimir Ivanov
Casting:
Edith Hamlin
Cinematography:
Michel Kelber
Director:
Sidney Lumet
Editor:
Françoise Javet
First Assistant Camera:
Roger Gleize
First Assistant Director:
Dossia Mage
Hairstylist:
Janou Pottier
Location Manager:
Charles Chieusse
Makeup Artist:
Yvonne Fortuna
Music:
Maurice Le Roux
Producer:
Paul Graetz
Production Design:
Jacques Saulnier
Production Manager:
Louis Libérial
Julien Rivière
Production Supervisor:
Jean-Philippe Mérand
Props:
Jean-Claude Dolbert
Joseph Gerhard
Screenplay:
Norman Rosten
Script Supervisor:
Marie-José Kling
Second Assistant Camera:
Marcel Gilot
Second Assistant Director:
Guy Séligmann
Set Decoration:
Charles Merangel
Sound Engineer:
Joseph de Bretagne
Sound Recordist:
Urbain Loiseau
Still Photographer:
Raymond Voinquel
Writer:
Arthur Miller
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.