Michel Reilhac

Alias:
Michel Reihlac

Michel Reilhac, based in Amsterdam, has been Head of Submarine Channel since January 2017. Director of VR (Virtual Reality) films and the narrative architect of interactive storytelling, his last film, in VR, Viens!, made its world premiere at the Sundance Film Festival in January 2016. He is also a pioneer in transmedia storytelling formats and immersive, participatory and interactive experiences. Furthermore, he is Director of Studies at the Venice Biennale College-Cinema and is frequently invited to lecture and speak at international events (i.e. Cannes Film Festival, SXSW Austin, Tribeca Film Festival, Pixel Lab, Dixit, FEMIS, etc.). From 2002 to 2012, Michel was Head of Film Acquisitions at Arte France and Executive Director of Arte France Cinéma.

Additional information:

The Search Form


Associate Producer:
2005  Don't Come Knocking
2007  Son of Rambow

Co-Producer:
2005  Don't Come Knocking
2007  Son of Rambow
2009  Antichrist
2010  Huacho
2011  Americano
2013  Salvo

Commissioning Editor:
2005  Don't Come Knocking
2005  Ghosts
2007  Son of Rambow
2009  Antichrist
2010  Huacho
2011  Americano
2013  Salvo

Director:
2002  The Good Old Naughty Days
2005  Don't Come Knocking
2005  Ghosts
2007  Son of Rambow
2009  Antichrist
2010  Huacho
2011  Americano
2013  Salvo

Idea:
2002  The Good Old Naughty Days
2005  Don't Come Knocking
2005  Ghosts
2007  Son of Rambow
2009  Antichrist
2010  Huacho
2011  Americano
2013  Salvo

Producer:
2002  The Good Old Naughty Days
2005  Don't Come Knocking
2005  Ghosts
2005  The Intruder
2007  Son of Rambow
2009  Antichrist
2010  Huacho
2011  Americano
2012  Blancanieves
2013  Salvo

Title Graphics:
2002  The Good Old Naughty Days
2005  Don't Come Knocking
2005  Ghosts
2005  The Intruder
2007  Son of Rambow
2009  Antichrist
2010  Huacho
2011  Americano
2012  Blancanieves
2013  Salvo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.