A work in constant progress (and occasional regress).
Release Date:
June 27, 2013
Original Title:
Salvo
Alternate Titles:
Salvo: Uma História de Amor e Máfia
Salvo: ocalony
狼は暗闇の天使
Genres:
Drama | Thriller
Production Companies:
ARTE
ARTE France Cinéma
Acaba Produzioni
Cité Films
Cristaldi Pictures
MACT Productions
Production Countries:
France | Italy
Ratings / Certifications:
GR: Κ-15
Runtime: 110
Salvo, a ruthless Sicilian Mafia hit man, changes his priorities after being involved in a bloody ambush.
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Assistant Costume Designer:
Concetta Iannelli
Assistant Director:
Lorenzo Grasso
Assistant Editor:
Mascia Calamandrei
Assistant Production Design:
Laura Inglese
Boom Operator:
Arnaud Calvar
Casting:
Chiara Agnello
Valérie Espagne
Co-Producer:
Antoine de Clermont-Tonnerre
Raphaël Berdugo
Olivier Père
Rémi Burah
Michel Reilhac
Costume Designer:
Mariano Tufano
Dialogue Coach:
Filippo Luna
Digital Colorist:
Guerrino Di Benedetto
Director:
Antonio Piazza
Fabio Grassadonia
Director of Photography:
Daniele Ciprì
Editor:
Desideria Rayner
Foley Artist:
Italo Cameracanna
Gaffer:
Mimmo Caiuli
General Manager:
Francesco Tatò
Hair Designer:
Stefano Nigro
Key Grip:
Massimo Lazzara
Location Manager:
Ugo Polizzi
Makeup Designer:
Sylvie Greco
Post Production Supervisor:
Irma Misantoni
Producer:
Massimo Cristaldi
Fabrizio Mosca
Production Coordinator:
Christophe Clavert
Ludovica Lugli
Production Design:
Marco Dentici
Production Director:
Giuseppe Pugliese
Property Master:
Giulia Parlato
Screenplay:
Fabio Grassadonia
Antonio Piazza
Second Assistant Director:
Ciro Visco
Vincenzo Rosa
Set Decoration:
Francesco Carollo
Songs:
Emma Marrone
Sound Editor:
Emanuela Di Giunta
Sound Effects Designer:
David Quadroli
Fabrizio Quadroli
Daniele Quadroli
Paolo Amici
Sound Mixer:
Fabio Chiossi
Sound Recordist:
Guillaume Sciama
Special Effects:
Paolo Galiano
Fabio Galiano
Tiberio Angeloni
Still Photographer:
Angelo Turetta
Story Editor:
Franz Rodenkirchen
Stunt Coordinator:
Gianluca Petrazzi
Thanks:
Jeanne Moreau
Visual Effects Supervisor:
Stefano Marinoni
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.