A work in constant progress (and occasional regress).
Alias:
Charles B. Mulvehill
Associate Producer:
1976 Bound for Glory
1979 Being There
1981 Second-Hand Hearts
1982 Frances
1984 Swing Shift
1985 Creator
Co-Producer:
1976 Bound for Glory
1979 Being There
1981 Second-Hand Hearts
1982 Frances
1984 Swing Shift
1985 Creator
1985 Sweet Dreams
1986 8 Million Ways to Die
1988 The Milagro Beanfield War
Executive Producer:
1976 Bound for Glory
1979 Being There
1981 Second-Hand Hearts
1982 Frances
1984 Swing Shift
1985 Creator
1985 Sweet Dreams
1986 8 Million Ways to Die
1988 The Milagro Beanfield War
1989 In Country
2003 The Last Samurai
Producer:
1971 Harold and Maude
1973 The Last Detail
1976 Bound for Glory
1979 Being There
1981 Second-Hand Hearts
1981 The Postman Always Rings Twice
1982 Frances
1984 Swing Shift
1985 Creator
1985 Sweet Dreams
1986 8 Million Ways to Die
1988 The Milagro Beanfield War
1989 In Country
1990 The Godfather Part III
1992 Bram Stoker's Dracula
1993 Malice
1994 Only You
1995 Dolores Claiborne
1996 City Hall
1997 Red Corner
1999 Mickey Blue Eyes
2000 Proof of Life
2003 The Last Samurai
Production Assistant:
1967 How to Succeed in Business Without Really Trying
1971 Harold and Maude
1973 The Last Detail
1976 Bound for Glory
1979 Being There
1981 Second-Hand Hearts
1981 The Postman Always Rings Twice
1982 Frances
1984 Swing Shift
1985 Creator
1985 Sweet Dreams
1986 8 Million Ways to Die
1988 The Milagro Beanfield War
1989 In Country
1990 The Godfather Part III
1992 Bram Stoker's Dracula
1993 Malice
1994 Only You
1995 Dolores Claiborne
1996 City Hall
1997 Red Corner
1999 Mickey Blue Eyes
2000 Proof of Life
2003 The Last Samurai
Production Manager:
1967 How to Succeed in Business Without Really Trying
1971 Harold and Maude
1973 The Last Detail
1976 Bound for Glory
1978 Coming Home
1979 Being There
1981 Second-Hand Hearts
1981 The Postman Always Rings Twice
1982 Frances
1984 Swing Shift
1985 Creator
1985 Sweet Dreams
1986 8 Million Ways to Die
1988 The Milagro Beanfield War
1989 In Country
1990 The Godfather Part III
1992 Bram Stoker's Dracula
1993 Malice
1994 Only You
1995 Dolores Claiborne
1996 City Hall
1997 Red Corner
1999 Mickey Blue Eyes
2000 Proof of Life
2003 The Last Samurai
Production Supervisor:
1967 How to Succeed in Business Without Really Trying
1971 Harold and Maude
1973 The Last Detail
1974 Runaway on the Rogue River
1976 Bound for Glory
1978 Coming Home
1979 Being There
1981 Second-Hand Hearts
1981 The Postman Always Rings Twice
1982 Frances
1984 Swing Shift
1985 Creator
1985 Sweet Dreams
1986 8 Million Ways to Die
1988 The Milagro Beanfield War
1989 In Country
1990 The Godfather Part III
1992 Bram Stoker's Dracula
1993 Malice
1994 Only You
1995 Dolores Claiborne
1996 City Hall
1997 Red Corner
1999 Mickey Blue Eyes
2000 Proof of Life
2003 The Last Samurai
???? Twister, Bull from the Sky
Unit Production Manager:
1967 How to Succeed in Business Without Really Trying
1971 Harold and Maude
1973 The Last Detail
1974 Runaway on the Rogue River
1976 Bound for Glory
1978 Coming Home
1979 Being There
1981 Second-Hand Hearts
1981 The Postman Always Rings Twice
1982 Frances
1984 Swing Shift
1985 Creator
1985 Sweet Dreams
1986 8 Million Ways to Die
1988 The Milagro Beanfield War
1989 In Country
1990 The Godfather Part III
1992 Bram Stoker's Dracula
1993 Malice
1994 Only You
1995 Dolores Claiborne
1996 City Hall
1997 Red Corner
1999 Mickey Blue Eyes
2000 Proof of Life
2003 The Last Samurai
???? Twister, Bull from the Sky
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.