A work in constant progress (and occasional regress).
Release Date:
April 25, 1986
Original Title:
8 Million Ways to Die
Alternate Titles:
8 Millionen Wege zu sterben
8 miljoner sätt att dö
8 millones de maneras de morir
8 Εκατομμύρια Τρόποι να Πεθάνεις
Eight Million Ways to Die
Huit millions de façons de mourir
Morrer Mil Vezes
Genres:
Crime | Thriller
Production Companies:
PSO
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FR: 12 NL: 16 US: R
Runtime: 115
Scudder is a detective with the Sheriff's Department who is forced to shoot a violent suspect during a narcotics raid. The ensuing psychological aftermath of this shooting worsens his drinking problem and this alcoholism causes him to lose his job, as well as his marriage.
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ADR Editor:
Karen I. Stern
William C. Carruth
Additional Writing:
Robert Towne
Art Direction:
Mark W. Mansbridge
Assistant Editor:
Vicki Hiatt
Stephen Mark
Paula McKee
Assistant Property Master:
Ken Zimmerman
Best Boy Electric:
Bob Fillis
Best Boy Grip:
Dennis M. Kuneff
Camera Operator:
Elliot Davis
Casting:
Lynn Stalmaster
Chief Lighting Technician:
Tim Griffith
Co-Producer:
Charles Mulvehill
Color Timer:
Richard Ritchie
Construction Foreman:
Butch West
Steve Alexander
Costume Assistant:
Roberta Newman
Costume Design:
Gloria Gresham
Costumer:
G. Tony Scarano
Cheryl Beasley Blackwell
Craft Service:
Charles Conley
Director:
Hal Ashby
Director of Photography:
Stephen H. Burum
Dolly Grip:
Robert E. Gaynor
Editor:
Robert Lawrence
Stuart H. Pappé
Executive Producer:
Mark Damon
John W. Hyde
First Assistant Camera:
Dustin Blauvelt
First Assistant Director:
L. Andrew Stone
Foley Supervisor:
Beth Sterner
Hairstylist:
Kaye Pownall
Key Grip:
Emmett Brown
Bill Fleming
Leadman:
Gordon Meloeny
Location Manager:
Spencer Quinn
Richard Davis, Jr.
Makeup Artist:
Nadia
Pete Altobelli
Music Editor:
Ted Whitfield
Negative Cutter:
Donah Bassett
Novel:
Lawrence Block
Original Music Composer:
James Newton Howard
Post Production Supervisor:
Hal Harrison
Producer:
Stephen J. Roth
Production Accountant:
Roberta Rose
Production Coordinator:
Ingrid C. Michaels
Production Design:
Michael D. Haller
Production Secretary:
Steven McAfee
Property Master:
Larry Clark Bird
Screenplay:
Oliver Stone
R. Lance Hill
Script Supervisor:
Ana Maria Quintana
Second Assistant Camera:
Joseph Cosko Jr.
Second Assistant Director:
Robert Engelman
Second Second Assistant Director:
Nancy King
Set Decoration:
Barbara Krieger
John T. Walker
Set Dresser:
Don Kaeding
Sound Editor:
Bruce Fortune
Anna Boorstin
Gary Wright
Steve Richardson
Butch Wolf
Sound Re-Recording Mixer:
Robert J. Litt
Elliot Tyson
Steve Maslow
Sound Recordist:
Walter A. Gest
Tim Webb
Special Effects:
Thomas R. Ward
Special Effects Coordinator:
Phil Cory
Still Photographer:
Sidney Ray Baldwin
Stunt Coordinator:
Buddy Joe Hooker
Stunt Driver:
John Escobar
Stunts:
Christine Anne Baur
Bobby Bass
Michael Cassidy
Cindy Folkerson
Ted Grossman
Billy Hank Hooker
Buddy Joe Hooker
Jimmy Nickerson
Victor Paul
Mario Roberts
Thomas Rosales Jr.
Scott L. Treger
Jon Parker Ward
Supervising Sound Editor:
Samuel C. Crutcher
Transportation Captain:
William Charles Hauer
Transportation Coordinator:
Walt Freitas
Wayne Nelson
Unit Production Manager:
Charles Mulvehill
Unit Publicist:
Carol Shapiro Janson
Writer:
Robert Towne
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.