James Gleason (1882-1959)

Alias:
James Austin Gleason
Jimmy Gleason
Джеймс Глисон

Birthplace:
New York City, New York, USA

Born:
May 22, 1882

Died:
April 12, 1959

James Gleason was born in New York City to William Gleason and Mina Crolius, who were both in the theatre. He was married to Lucile Gleason (born Lucile Webster), and had a son, Russell Gleason. As a young man James fought in the Spanish-American War. After the war he joined the stock company at the Liberty Theater in Oakland, California, which his parents were running. James and his wife then moved to Portland, Oregon, where they played in stock at the Baker Theater. For several years afterward they toured in road shows until James enlisted in the army during World War I. When he returned he appeared on the stage in "The Five Million." He then turned to writing, including "Is Zat So", which he produced for the NY stage. He also wrote and acted in "The Fall Guy" and "The Shannons on Broadway." Next he wrote The Broadway Melody (1929) for MGM. He collaborated, in 1930, on The Swellhead (1930), Dumbbells in Ermine (1930), What a Widow! (1930), Rain or Shine (1930) and His First Command (1929). He and his wife were then contracted to Pathe, Lucille to act, and James (or Jimmie as he was known) as a writer. Probably his most famous acting role was as Max Corkle, the manager of Joe Pendleton who was wrongly plucked from this life into the next, in the hit fantasy Here Comes Mr. Jordan (1941).

Additional information:

The Search Form


Adaptation:
1930  What a Widow!

Additional Dialogue:
1929  The Flying Fool
1930  What a Widow!

Additional Writing:
1929  The Flying Fool
1930  What a Widow!
1935  Murder in the Fleet

Dialogue:
1929  High Voltage
1929  The Broadway Melody
1929  The Flying Fool
1930  Puttin' on the Ritz
1930  Swellhead
1930  What a Widow!
1935  Murder in the Fleet

Director:
1929  High Voltage
1929  The Broadway Melody
1929  The Flying Fool
1930  Puttin' on the Ritz
1930  Swellhead
1930  What a Widow!
1932  Always Kickin'
1932  Off His Base
1935  Hot Tip
1935  Murder in the Fleet

Screenplay:
1929  High Voltage
1929  His First Command
1929  The Broadway Melody
1929  The Flying Fool
1930  Puttin' on the Ritz
1930  Swellhead
1930  What a Widow!
1932  Always Kickin'
1932  Off His Base
1933  Orders Is Orders
1933  The Bowery
1934  Change of Heart
1935  Hot Tip
1935  Murder in the Fleet

Story:
1929  High Voltage
1929  His First Command
1929  The Broadway Melody
1929  The Flying Fool
1930  Puttin' on the Ritz
1930  Swellhead
1930  What a Widow!
1932  Always Kickin'
1932  Off His Base
1933  Orders Is Orders
1933  The Bowery
1934  Change of Heart
1935  Hot Tip
1935  Murder in the Fleet

Theatre Play:
1929  High Voltage
1929  His First Command
1929  The Broadway Melody
1929  The Flying Fool
1930  Mammy
1930  Puttin' on the Ritz
1930  Swellhead
1930  What a Widow!
1932  Always Kickin'
1932  Off His Base
1933  Orders Is Orders
1933  The Bowery
1934  Change of Heart
1935  Hot Tip
1935  Murder in the Fleet

Writer:
1929  High Voltage
1929  His First Command
1929  The Broadway Melody
1929  The Flying Fool
1930  Dumb-bells in Ermine
1930  Mammy
1930  Puttin' on the Ritz
1930  Rain or Shine
1930  Swellhead
1930  The Fall Guy
1930  What a Widow!
1931  Beyond Victory
1931  Three Hollywood Girls
1932  Always Kickin'
1932  Off His Base
1933  Orders Is Orders
1933  The Bowery
1934  Change of Heart
1935  Hot Tip
1935  Murder in the Fleet

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.