Raúl Juliá (1940-1994)

Alias:
Raul Julia

Birthplace:
San Juan, Puerto Rico

Born:
March 9, 1940

Died:
October 24, 1994

Raúl Rafael Juliá y Arcelay (March 9, 1940 – October 24, 1994) was a Puerto Rican actor. His film career peaked in the US in the early 1990s.  Born in San Juan, he gained interest in acting while still in school. Upon completing his studies, Juliá decided to pursue a career in acting. After performing in the local scene for some time, he was convinced by entertainment personality Orson Bean to move and work in New York City. Juliá, who had been bilingual since his childhood, soon gained interest in Broadway and "Off Broadway" plays. He performed in mobile projects, including the Puerto Rican Traveling Theatre.  Juliá was eventually noticed by Joseph Papp, who offered him work in the New York Shakespeare Festival. After gaining notoriety, he received roles in two television series, Love of Life and Sesame Street. For his performance in Two Gentlemen of Verona, he received a nomination for the Tony Award and won a Drama Desk Award. Between 1974 and 1982, Juliá received Tony Award nominations for Where's Charley?, The Threepenny Opera and Nine. During the 1980s, he worked in several films, receiving nominations for the Golden Globe Awards, for his performance in Tempest, and Kiss of the Spider Woman, winning the National Board of Review Award for Best Actor for the latter.  In 1991 and 1993, Juliá portrayed "Gomez Addams" in two film adaptations of The Addams Family. In 1994, he filmed The Burning Season and a film adaptation of the Street Fighter video games. Later that year, Juliá suffered several health afflictions, eventually dying after suffering a stroke. His funeral was held in Puerto Rico, being attended by thousands. For his work in The Burning Season, Juliá won a posthumous Golden Globe and Emmy Award.

Additional information:

The Search Form


In Memory Of:
1994  Street Fighter

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.