A work in constant progress (and occasional regress).
Release Date:
August 2, 1978
Original Title:
Eyes of Laura Mars
Alternate Titles:
Los ojos de Laura Mars
Ojos
Pesadelos Fatais
Genres:
Horror | Mystery | Thriller
Production Companies:
Columbia Pictures
Production Countries:
United States of America
Ratings / Certifications:
FR: 12 GR: 16 IE: 15 US: R
Runtime: 104
A famous fashion photographer develops a disturbing ability to see through the eyes of a serial killer.
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Art Direction:
Robert Gundlach
Assistant Director:
Mel Howard
Louis A. Stroller
Assistant Sound Editor:
Allan Bromberg
Associate Producer:
Laura Ziskin
Casting Director:
Cis Corman
Costume Design:
Theoni V. Aldredge
Costumer:
Jim Hagerman
Marilyn Bishop
Director:
Irvin Kershner
Director of Photography:
Victor J. Kemper
Editor:
Michael Kahn
Executive Producer:
Jack H. Harris
Gaffer:
James P. Dolan
Hairstylist:
Kaye Pownall
Colleen Callaghan
Key Grip:
James Finnerty
Makeup Artist:
Lee Harman
Vincent Callaghan
Lynn Donahue
Music Supervisor:
Charles Koppelman
Original Music Composer:
Artie Kane
Other:
Helmut Newton
Rebecca Blake
Producer:
Jon Peters
Production Consultant:
Rebecca Blake
Production Design:
Gene Callahan
Production Executive:
George Justin
Property Master:
Walter Stocklin
Screenplay:
David Zelag Goodman
John Carpenter
Set Decoration:
John Godfrey
Sound Editor:
Charles L. Campbell
Sound Mixer:
Les Lazarowitz
Special Effects:
Edward Drohan
Still Photographer:
Adger W. Cowans
Story:
John Carpenter
Stunt Coordinator:
Alex Stevens
Stunts:
Jim Lovelett
Harry Madsen
Bill Anagnos
Konrad Sheehan
Theme Song Performance:
Barbra Streisand
Unit Production Manager:
Louis A. Stroller
Wardrobe Master:
Bernadene C. Mann
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.