Michaela von Schweinitz

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Michaela von Schweinitz is an award-winning director with over twenty years experience in filmmaking.  Starting out as a cinematographer she supported her young family shooting and producing numerous documentaries. She filmed for non-profit organizations, with students and in underserved communities.  Continuously honing her skills in fictional story telling she wrote, directed and produced films which screened at renowned short film festivals, were broadcast in Germany and won awards in the US.  In 2003 she moved to Los Angeles and was hired to direct her first independent feature comedy, a punk rock love story.  Michaela von Schweinitz was a board member of the Alliance of Women Directors serving as Chair Of Membership and as Newsletter Editor until she moved to New York in 2017 and became an active member of New York Women In Film and Television.

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Assistant Camera:
2009  Dance Flick

Data Wrangler:
2009  Dance Flick
2013  Getting Back to Zero

Electrician:
2009  Dance Flick
2009  Serious Moonlight
2013  Getting Back to Zero

Executive Producer:
2009  Dance Flick
2009  Serious Moonlight
2013  Getting Back to Zero
2016  Head or Tails

Lighting Production Assistant:
2009  Dance Flick
2009  Serious Moonlight
2010  The Buddha
2013  Getting Back to Zero
2016  Head or Tails

Lighting Technician:
2009  Dance Flick
2009  Serious Moonlight
2010  The Buddha
2013  Getting Back to Zero
2016  Head or Tails

Second Assistant Camera:
2009  Dance Flick
2009  Serious Moonlight
2010  Down for Life
2010  The Buddha
2012  Brake
2013  Getting Back to Zero
2016  Head or Tails

First Assistant Camera:
1986  American Masters

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.