A work in constant progress (and occasional regress).
Release Date:
May 10, 2013
Original Title:
Getting Back to Zero
Genres:
Comedy | Drama
Ratings / Certifications:
N/A
Runtime: 97
Two brothers reconcile their relationship over the death of their father after they inherit his craps table and gambling debt. A dark comedy set in the world of underground casinos.
ADR Recordist:
Scott Brewster
Additional Director of Photography:
Scott Toler Collins
Julian Weinstein
Additional Photography:
Karla Strum
Les Halstead
Aprill Winney
Art Department Assistant:
Shannon Lee Fitzgerald
Scott Evans
Art Direction:
Travis Witkowski
Assistant Art Director:
Edward Elg
Assistant Camera:
Ryan Guzdzial
Assistant Dialogue Editor:
Kelly Vockel
Assistant Editor:
David Meador
Assistant Makeup Artist:
Jeanine Goss
Abigail Bradley
Dawn Subhasiriwatana
Allie Newman
Associate Producer:
Marissa Leguizamon
Best Boy Electric:
Andy Patch
Best Boy Grip:
Rex Kenney
Boom Operator:
Kevin Faber
Omar Barraza
Carpenter:
Jesse Poupis
Kurt Altschwager
Casting:
Wally Lozano
Colorist:
Chris Jacobson
Costume Design:
Nicole Boutiette
Craft Service:
Tiffany Marie Everest-Register
Data Wrangler:
Michaela von Schweinitz
Decorator:
Beth Gatza
Director:
Roger Roth
Director of Photography:
Jonathan Hall
Dolly Grip:
Jesse Vallejo
Driver:
Les Halstead
Editor:
Roger Roth
Dylan Stern
Electrician:
Justin Dickson
Executive Producer:
Roger Roth
First Assistant Camera:
Jorge Devotto
Tom Holzer
First Assistant Director:
Shadie Elnashai
Travis Huff
Foley Mixer:
Derek Deitz
Gaffer:
Julian Weinstein
Graphic Designer:
Steven Joseph St. John
Key Grip:
Ringo Betancourt
Key Scenic Artist:
Lacey Anzelc
Key Set Production Assistant:
Bryan Foster
Greg Kindra
Line Producer:
Shadie Elnashai
Location Manager:
Chandra M. Alexander
Makeup Artist:
Erin LeBre
Makeup Department Head:
Heather Ford
Medical Consultant:
Ralph Lliteras
Music:
David Lebolt
On Set Dresser:
Lianir Lopez
Orchestrator:
Ben Leathers
Joachim Horsley
Post Production Producer:
Melissa Burns
Producer:
Wally Lozano
Dylan Stern
Roger Roth
Production Accountant:
Jenny Buchowicz
Production Assistant:
Felicia Brokaw
Desiree Proctor
Kristen Heard
Creed McNugget
Matt Dworzanczyk
Steven Farnsworth
Rob Erickson
Patrick Halstead
David Meador
Ryan Waldera
Mylene Santiano
Frank Youngman
Reza Lackey
Production Coordinator:
Jeehye Kim
Production Design:
Marissa Leguizamon
Property Master:
Stephanie Hein
Script Coordinator:
Blu Van Zandt
Script Supervisor:
Aprill Winney
Blu Van Zandt
Second Assistant Camera:
Michaela von Schweinitz
Second Assistant Director:
Beatriz Gómez
Karla Strum
Second Second Assistant Director:
Greg Kindra
Garrett Honea
Justin Thiele
David Buchwald
Reza Lackey
Set Dresser:
Chad DeMers
Jen K. Messer
Sound Designer:
Trevor Gates
Sound Editor:
Trevor Gates
Chris Terhune
Sound Mixer:
Arran Murphy
Omar Barraza
Sound Re-Recording Mixer:
Jason Gaya
Still Photographer:
Marissa Roth
Benjamin Olsen
Stunt Coordinator:
Jon Braver
Danny Downey
Supervising Sound Editor:
Steven Iba
Thanks:
Gabriel Cowan
Erin Cantelo
Transportation Coordinator:
Les Halstead
Unit Production Manager:
Shadie Elnashai
Wardrobe Assistant:
Ashley Elieff
Writer:
Wally Lozano
Roger Roth
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.