Jean Douchet (1929-2019)

Birthplace:
Arras, Pas-de-Calais, France

Born:
January 19, 1929

Died:
November 22, 2019

Jean Douchet (January 19, 1929 – November 22, 2019) was a French film director, historian, film critic and teacher who began his career in the early 1950s at Gazette du Cinéma and Cahiers du cinema with members of the future French New Wave.  As a journalist Douchet wrote extensively about New Wave filmmakers, as well as such directors as Alfred Hitchcock, F. W. Murnau, Kenji Mizoguchi, Vincente Minnelli, Akira Kurosawa, Jean-Luc Godard and Jean-Daniel Pollet. He enabled Serge Daney to begin working for Cahiers. He also acted in small roles for such directors as Godard, Rohmer, François Truffaut, Jean Eustache, Jacques Rivette, Jean Pierre Lefebvre and François Ozon. He taught at the Institut des Hautes Études Cinématographiques and his students included Ozon, Émilie Deleuze and Xavier Beauvois. He was also involved with the Cinémathèque Française and regularly hosts screenings and events. For the Cinémathèque's 2010 tribute to the then recently deceased Éric Rohmer he made the documentary Claude et Éric, an interview with Claude Chabrol about Rohmer's early days at Cahiers du cinema.  On November 22, 2019, the Cinémathèque Française announced that Jean Douchet had died at age 90.  Source: Article "Jean Douchet" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.