A work in constant progress (and occasional regress).
Release Date:
June 3, 1959
Original Title:
Les Quatre Cents Coups
Alternate Titles:
400 המלקות
400번의 구타
Czterysta batów
De vierhonderd slagen
I quattrocento colpi
Les 400 coups
Los 400 golpes
Nikdo mne nemá rád
Os 400 Golpes
Os Incompreendidos
På vei mot livet
Sie kuessten und sie schlugen ihn
The Four Hundred Blows
四百下
四百击
大人は判ってくれない
胡作非为
Genres:
Drama
Production Companies:
Les Films du Carrosse
Sédif Productions
Production Countries:
France
Ratings / Certifications:
AU: PG BE: AL DE: 12 DK: 15 ES: APTA FI: K-16 FR: TP GB: PG GR: Κ HU: 18 JP: G KR: 15 PL: 18 SE: 15 US: NR
Runtime: 99
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
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2012 #39 |
Critics' Top 100 Poll
Greatest Films of All Time |
2012 #13 |
Directors' Top 100 Poll
Greatest Films of All Time |
Adaptation:
François Truffaut
Marcel Moussy
Administration:
Roland Nonin
Assistant Camera:
Alain Levent
Assistant Director:
Philippe de Broca
Assistant Editor:
Cécile Decugis
Michèle de Possel
Assistant Unit Manager:
Robert Lachenay
Camera Operator:
Jean Rabier
Dialogue:
Marcel Moussy
Director:
François Truffaut
Director of Photography:
Henri Decaë
Editor:
Marie-Josèphe Yoyotte
Original Music Composer:
Jean Constantin
Producer:
François Truffaut
Production Manager:
Georges Charlot
Production Secretary:
Luce Deuss
Screenplay:
François Truffaut
Script Supervisor:
Jacqueline Parey
Second Assistant Director:
Francis Cognany
Robert Bober
Alain Jeannel
Set Decoration:
Bernard Evein
Sound:
Jean-Claude Marchetti
Sound Assistant:
Jean Labussière
Still Photographer:
André Dino
Thanks:
Claude Vermorel
Jean-Claude Brialy
Jeanne Moreau
Alex Joffé
Suzanne Lipinska
Claude Véga
Fernand Deligny
Claire Mafféi
Jacques Josse
Annette Wademant
Unit Manager:
Jean Lavie
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.