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John Morrisey

Biography from TheMovieDB

At 18 John interned in a post production company to learn the craft of film editing, further enhanced his skills through several jobs in production and post production, and went on from there to work in editing on many notables films. Also studied acting for seven years with Sharon Carnicke, Professor and Associate Dean of Theatre, USC, Currently studying acting with Steve Eastin. Also studied screen writing. John directed his first music video in 1996. Produced and directed a short "American Bullies" in 2013. Co-wrote and produced Big Top Evil in 2018.

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Additional information:

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Film Performances

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Film Production

ADR Editor:
1992  Alien³

Assistant Editor:
1985  Pale Rider
1991  Defending Your Life
1992  Alien³
1997  Razor in the Flesh
2003  Phone Booth

Camera Operator:
1985  Pale Rider
1991  Defending Your Life
1992  Alien³
1997  Razor in the Flesh
2003  Phone Booth
2005  Moussaka & Chips

Producer:
1985  Pale Rider
1991  Defending Your Life
1992  Alien³
1997  Razor in the Flesh
2003  Phone Booth
2005  Moussaka & Chips
2022  A Beautiful Dream

Writer:
1985  Pale Rider
1991  Defending Your Life
1992  Alien³
1997  Razor in the Flesh
2003  Phone Booth
2005  Moussaka & Chips
2019  Big Top Evil
2022  A Beautiful Dream

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.