José Luis Borau (1929-2012)

Birthplace:
Zaragoza, Aragón, Spain

Born:
August 8, 1929

Died:
November 23, 2012

Spanish film director and producer, born in Zaragoza. He studied law in his hometown and debuted as a film critic in the newspaper El Heraldo de Aragón. In Madrid, he joined the Instituto de Investigaciones y Experiencias Cinematográficas. He exerted great influence on the medium from his teaching at the Escuela Oficial de Cinematografía. In 1967 he founded the production company El Imán, Cine y Televisión, with which he has financed his own projects and those of other filmmakers. Of his personal work, two films stand out: Furtivos (1975), Golden Shell at the San Sebastian Festival and a great success for its opposition to the limits of censorship at the beginning of the Spanish Transition, and Leo (2000), which won the Goya for best director. However, both his initial commissions, such as the spaghetti western Brandy (1964) and the crime film Crimen de doble filo (1965), and the controversial later films Tata mía (1986) and Niño Nadie (1996), have had little repercussion. Between 1994 and 1998 he was president of the Academia de las Artes y las Ciencias Cinematográficas de España (Spanish Academy of Motion Picture Arts and Sciences). In 2001 he was elected full member of the Real Academia de Bellas Artes de San Fernando and in 2002 he was awarded the Premio Nacional de Cinematografía.

Additional information:

The Search Form


Assistant Director:
1972  My Dearest Senorita

Director:
1960  En el río
1964  Ride and Kill
1965  Double Edged Crime
1972  My Dearest Senorita
1975  Hay que matar a B.
1975  Poachers
1979  La Sabina
1984  On the Line
1986  Tata Mía
1997  Niño nadie
2000  Leo

Original Film Writer:
1960  En el río
1964  Ride and Kill
1965  Double Edged Crime
1972  My Dearest Senorita
1975  Hay que matar a B.
1975  Poachers
1979  La Sabina
1984  On the Line
1986  Tata Mía
1997  Niño nadie
2000  Leo
????  My Dearest Señorita

Producer:
1960  En el río
1964  Ride and Kill
1965  Double Edged Crime
1970  Estado de sitio
1970  Un, dos, tres, al escondite inglés
1972  My Dearest Senorita
1975  Hay que matar a B.
1975  Poachers
1977  In Memoriam
1979  La Sabina
1984  On the Line
1986  Tata Mía
1997  Niño nadie
2000  Leo
2001  Anna's Summer
????  My Dearest Señorita

Screenplay:
1960  En el río
1964  Ride and Kill
1965  Double Edged Crime
1970  Estado de sitio
1970  Un, dos, tres, al escondite inglés
1972  My Dearest Senorita
1975  Hay que matar a B.
1975  Poachers
1977  El monosabio
1977  In Memoriam
1979  La Sabina
1984  On the Line
1986  Tata Mía
1997  Niño nadie
2000  Leo
2001  Anna's Summer
????  My Dearest Señorita

Writer:
1960  En el río
1964  Ride and Kill
1965  Double Edged Crime
1970  Estado de sitio
1970  Un, dos, tres, al escondite inglés
1972  My Dearest Senorita
1975  Hay que matar a B.
1975  Poachers
1977  Black Litter
1977  El monosabio
1977  In Memoriam
1979  La Sabina
1984  On the Line
1986  Tata Mía
1997  Niño nadie
2000  Leo
2001  Anna's Summer
????  My Dearest Señorita

Creator:
1993  Celia

Director:
1993  Celia

Writer:
1993  Celia

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.