A work in constant progress (and occasional regress).
Release Date:
June 14, 1975
Original Title:
Hay que matar a B.
Genres:
Drama | Thriller
Production Companies:
El Imán Cine y Televisión S.A.
Luis Megino
Taurean Films
Production Countries:
Spain | Switzerland
Ratings / Certifications:
CH: 18 RO: 18
Runtime: 97
In a fictitious South American country there's lots of political tension, the labor-unions have all their members on strike. The public demands the return of politician B. from exile. However private trucker Pal can't afford to strike, so he's beaten up and his truck burned. In the headlines he's described as strike-breaker. This is only part of an intrigue which shall get him to murder B.
Assistant Editor:
Marisa O'Donnell
José Salcedo
Assistant Makeup Artist:
Luis Criado
Assistant Set Decoration:
Manuel Romero
Camera Operator:
Teo Escamilla
Co-Producer:
Irving Lerner
Costume Design:
Maiki Marín
Director:
José Luis Borau
Director of Photography:
Luis Cuadrado
Editor:
Pablo G. del Amo
Executive Producer:
Luis Megino
First Assistant Director:
José López Rodero
Gaffer:
Laureano López
Hairstylist:
Ana Criado
Makeup Artist:
Louis Bonnemaison
Cristóbal Criado
Music:
José Nieto
Producer:
José Luis Borau
Production Assistant:
Vicente Montejano
José M. Albuerne
Production Manager:
José G. Jacoste
Property Master:
Matías Recuenco
Script Supervisor:
María Teresa Font
Second Assistant Camera:
Antonio Escamilla
Second Assistant Director:
Roberto Parra
Set Decoration:
Federico G. Mas
Sound:
Luis Rodríguez
Sound Effects:
Luis Castro
Special Effects:
Pablo Pérez
Basilio Cortijo
Still Photographer:
Antonio de Benito
Wardrobe Master:
Magdalena Fernández
Juana Ramírez
Writer:
José Luis Borau
Antonio Drove
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.