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Amparo Noguera (b. 1965)

Alias:
암파로 노게라

Birthplace:
Santiago, Chile

Born:
March 6, 1965

Biography from TheMovieDB

Amparo Noguera is one of the most important Chilean actresses of the moment, with a career of more than 30 years in film, television and theater. She is recognized for her versatility and talent in a variety of genres and acting styles. Charismatic, mysterious and elegant, Amparo shines in leading or supporting roles. Adored by directors and acclaimed by her peers, we have no doubt that the international industry will be at her feet in the coming years.  In film, she has collaborated with Chile's most talented directors, such as Pablo Larraín, Raúl Ruiz, Sebastián Lelio and Fernando Guzzoni, among many others. She has participated in films acclaimed by critics and audiences, such as Tony Manero (2008), No (2012), A Fantastic Woman (2017) and Blanquita (2022), the latter selected as the Chilean representative at the Academy Awards.  In television, she has worked in some of the most emblematic series for the national audience of different generations, such as Romané (2000), El Laberinto de Alicia (2011) and The Pack (2019).

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Film Performances

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Film Production

Thanks:
2004  Machuca
2005  Las bicicletas

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.