Home

The Practice (2024) [PG-13]

Release Date:
September 5, 2024

Original Title:
La práctica

Alternate Titles:
La Práctica

Genres:
Comedy | Drama

Production Companies:
ARTE
Cine Argentino
Fondo de Fomento Audiovisual
Forastero
Gravitas Ventures
Hubert Bals Fund
INCAA
Instituto do Cinema, Audiovisual e Multimédia
Interior13 Cine
La Unión de los Ríos
Mecenazgo Cultural
Pandora Film
Quijote Films
República Portuguesa
Rosa Filmes
The Film Kitchen
Un Puma
Visit Films
ZDF Enterprises

Production Countries:
Argentina | Chile | Germany | Mexico | Netherlands | Portugal

Ratings / Certifications:
KR: 12  US: PG-13 

Runtime: 89

Overview from TheMovieDB

Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Additional Writing:
Agustín Mendilaharzu

Art Department Trainee:
Miguel Insunza

Art Direction:
Francisca Correa

Assistant Art Director:
Andrea Paz

Assistant Camera:
David Carrera
Ana de Vasa

Assistant Costume Designer:
Célia Fernandes

Assistant Director:
Felipe Solari Yrigoyen

Assistant Property Master:
Gonçalo Lory Costa

Assistant Set Decoration:
Ricardo Herrera Morales

Associate Producer:
Daniel Hammer
Gregorio González

Boom Operator:
Marco Aliaga
Leo Campetelli

Casting:
Manuela Martelli

Cinematography:
Hugo Azevedo

Color Grading:
Luisa Cavanagh

Continuity:
Nahuel Medel
Hélder Faria

Costume Assistant:
Constanza Rodriguez
Indiana Becu
Lorena Segovia

Costume Design:
Flora Caligiuri

Data Management Technician:
Alex Sandoval
André Rosado

Director:
Martín Rejtman

Editor:
Federico Rotstein

Electrician:
Esteban Guerra
Paulina Gallegos
Catalina Vargas
María Eugenia Solís
Eduardo Piteira
Adriano Gomes
Daniel Paixão

Executive Producer:
Constanza Erenchún
Lucas Engel
Fernando Fuentes
Jerónimo Quevedo
Victoria Marotta
Martín Loewenthal
Federico Suarez del Cerro

Executive Producer's Assistant:
Melina Ritter
Rosario Reviglio
Agustina Grillo

Focus Puller:
Luis Fernández Dafb
Soraia Rego

Gaffer:
Camilo Peralta
Pedro Curto

Grip:
Diego Reyes

Hairstylist:
Hugo Marques

Lighting Manager:
Matías Ramírez

Location Assistant:
Marcelo Ramírez
Vasco Coutinho

Location Manager:
Nathalia Videla Peña
Isaac Oliveira

Makeup & Hair:
Valérie Geoffroy
Damián Brissio

Makeup & Hair Assistant:
Catalina Peralta

Makeup Artist:
Helena Baptista

Music:
Santiago Motorizado

Online Editor:
Valentín Fusari Picollo

Post Production Coordinator:
Sandra Figueiredo
André Rosado
Melina Ritter

Producer:
Joaquim Sapinho
Victoria Marotta
Christoph Friedel
Florencia Larrea
Marta Vieira Alves
Jerónimo Quevedo
Giancarlo Nasi
Claudia Steffen
Fernando Bascuñán
Martín Rejtman

Production Assistant:
Eugenio Ramírez
Sebastián Barrios
Vera Rocha
Tiago Almeida
Sofía Ribeiro

Production Coordinator:
Jorge Bustamante
Ilyris Santana

Production Director:
Nicolás San Martín
Juan Segundo Álamos
Sandra Figueiredo
Nathy Fonseca

Production Manager:
Gerson Valenzuela

Production Runner:
Macarena Vial

Props:
Bárbara Cano

Second Assistant Director:
Camila Rodó
Hugo Martins

Set Decoration:
Pepe Barrios Ramos

Sound:
Guido Deniro

Sound Recordist:
Guido Deniro
Júlio Pereira
Jesica Suárez

Special Effects:
Ricardo Reynaud

Still Photographer:
Sebastián Utreras
Mauro Torres Lira
Miguel Ángel Larrea

Third Assistant Director:
Úrsula González
Rita Silva

Video Assist Operator:
Andrea Rozas
Ana Specht

Visual Effects:
Jorge Díaz
Cristian de la Vega

Writer:
Martín Rejtman

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.