A work in constant progress (and occasional regress).
Alias:
Bob Montgomery
Comdr. Robert Montgomery U.S.N.R.
Henry Montgomery Jr.
Robert Montgomery Comdr. U.S.N.R.
Birthplace:
Fishkill Landing [now Beacon], New York, USA
Born:
May 21, 1904
Died:
September 27, 1981
From Wikipedia, the free encyclopedia Robert Montgomery (born Henry Montgomery Jr.; May 21, 1904 – September 27, 1981) was an American film and television actor, director, and producer. He was also the father of actress Elizabeth Montgomery. Montgomery settled in New York City to try his hand at writing and acting. He established a stage career, and became popular enough to turn down an offer to appear opposite Vilma Bánky in the film This Is Heaven (1929). Sharing a stage with George Cukor gave him an entry to Hollywood and a contract with Metro-Goldwyn-Mayer, where he debuted in So This Is College (also 1929). Montgomery initially played exclusively in comedy roles, but portrayed a character in his first drama film in The Big House (1930). MGM was initially reluctant to assign him in such a role, until "his earnestness, and his convincing arguments, with demonstrations of how he would play the character" won him the assignment. From The Big House on, he was in constant demand. Appearing as Greta Garbo's romantic interest in Inspiration (1930) started him toward stardom with a rush. Norma Shearer chose him to star opposite her in The Divorcee (1930), Strangers May Kiss (1931), and Private Lives (1931), which led him to stardom. In another challenging role, Montgomery played a psychopath in the chiller Night Must Fall (1937), for which he received an Academy Award for Best Actor nomination. After World War II broke out in Europe in September, 1939, and while the United States was still officially neutral, Montgomery enlisted in London for American field service and drove ambulances in France until the Dunkirk evacuation. He then returned to Hollywood and addressed a massive rally on the MGM lot for the American Red Cross in July 1940. Montgomery returned to playing light comedy roles, such as Alfred Hitchcock's Mr. & Mrs. Smith (1941) with Carole Lombard. He continued his search for dramatic roles. For his role as Joe Pendleton, a boxer and pilot in Here Comes Mr. Jordan (1941), Montgomery was nominated for an Oscar a second time. After the U.S. entered World War II in December 1941, he joined the United States Navy, rising to the rank of lieutenant commander, and served on the USS Barton (DD-722) which was part of the D-Day invasion on June 6, 1944. In 1945, Montgomery returned to Hollywood, making his uncredited directing debut with They Were Expendable, where he directed some of the PT boat scenes when director John Ford was unable to work for health reasons. Montgomery's first credited film as director and his final film for MGM was the film noir Lady in the Lake (1947), in which he also starred, which received mixed reviews. Adapted from Raymond Chandler's detective novel and sanitized for the censorship of the day, the film is unusual because it was filmed entirely from Marlowe's vantage point. Montgomery only appeared on camera a few times, three times in a mirror reflection. Active in Republican politics and concerned about communist influence in the entertainment industry, Montgomery was a friendly witness before the House Un-American Activities Committee in 1947. Montgomery has two stars on the Hollywood Walk of Fame, one for movies at 6440 Hollywood Boulevard, and another for television at 1631 Vine Street.
Director:
1946 Lady in the Lake
1947 Ride the Pink Horse
1949 Once More, My Darling
1950 Your Witness
1960 The Gallant Hours
Producer:
1946 Lady in the Lake
1947 Ride the Pink Horse
1949 Once More, My Darling
1950 Your Witness
1960 The Gallant Hours
Producer:
1950 Robert Montgomery Presents
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.