A work in constant progress (and occasional regress).
Release Date:
March 6, 1950
Original Title:
Your Witness
Alternate Titles:
Eye Witness
Genres:
Crime | Drama
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 94
Adam Hayward is a successful New York City defense lawyer. One day he receives a cable that the British war buddy who saved his life at Anzio Beach is now in trouble with the law in England. Taking the advice of his secretary to go to England rather than wire money, Adam arrives in his friend's village to find him about to stand trial for the murder of the hired stable-hand, Lawrence.
Additional Dialogue:
William Douglas-Home
Art Direction:
Ralph W. Brinton
Assistant Art Director:
Ken Adam
Assistant Director:
Charles Saunders
Kenneth Rick
Assistant Editor:
Jack Bygrave
Assistant Hairdresser:
Joan Carpenter
Assistant Makeup Artist:
Eric Hall
Boom Operator:
Bill Baldwin
Camera Operator:
Robert Walker
Clapper Loader:
Ronald Etherington
Continuity:
Betty Forster
Director:
Robert Montgomery
Director of Photography:
Gerald Gibbs
Editor:
Lito Carruthers
Executive Producer:
David E. Rose
First Assistant Editor:
Barbara Ayres
Focus Puller:
Ernest Day
Hairstylist:
Ivy Emmerton
Makeup Artist:
Gerry Fletcher
Music Director:
John Hollingsworth
Original Music Composer:
Malcolm Arnold
Producer:
Joan Harrison
Production Manager:
Fred Gunn
Production Secretary:
Audrey Monk
Production Supervisor:
John Croydon
Props:
Len Sharp
Screenplay:
Hugo Butler
Ian McLellan Hunter
Joan Harrison
Second Assistant Director:
Hal Griver
Set Dresser:
Roger Ramsdell
Sound Recordist:
W.H.O. Sweeney
Still Photographer:
Ronnie Pilgrim
Third Assistant Director:
Buddy Booth
Wardrobe Designer:
John Wilson-Apperson
Wardrobe Supervisor:
Phyllis Dalton
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.