Renato Berta (b. 1945)

Alias:
Rénato Berta

Birthplace:
Bellinzona, Ticino, Switzerland

Born:
March 2, 1945

Renato Berta is a Swiss cinematographer and film director, best known for his collaborations with directors Alain Tanner and Jean-Marie Straub. Trained at the Centro Sperimentale di Cinematografia in Rome, Berta has worked as cinematographer in more than 100 films since 1969. He won a César Award for Best Cinematography for Au revoir les enfants in 1988 and a David di Donatello for Best Cinematography for Noi credevamo in 2011.  In 2013, he was awarded the Chevalier of the Ordre des Arts et des Lettres.  Source: Article "Renato Berta" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Cinematography:
1997  The Silence of Rak
1998  Day After Day
2003  Humiliated
2003  The Return of the Prodigal Son
2012  Lullaby to my Father

Director:
1991  Le film du cinéma suisse
1997  The Silence of Rak
1998  Day After Day
2003  Humiliated
2003  The Return of the Prodigal Son
2012  Lullaby to my Father

Director of Photography:
1970  Charles, Dead or Alive
1971  Othon
1971  The Salamander
1972  History Lessons
1973  Death of the Flea Circus Director
1973  Introduction to Arnold Schoenberg’s Accompaniment to a Cinematic Scene
1973  Return from Africa
1973  Tonight or Never
1974  La Paloma
1974  The Middle of the World
1974  The Wonderful Crook
1975  H.P. Lovecraft: Schatten aus der Zeit
1975  Moses and Aaron
1976  Jonah Who Will Be 25 in the Year 2000
1976  Sartre by Himself
1976  Shadow of Angels
1976  The Assistant
1976  The Big Night
1977  A. Constant
1977  Fortini/Cani
1977  Location Hunting
1977  San Gottardo
1977  The Indians Are Still Far Away
1978  His Master's Voice
1978  Violanta
1979  Messidor
1980  Every Man for Himself
1981  Max Frisch, Journal I-III
1982  Hecate
1982  Inventaire lausannois
1983  Imitation of Life
1983  Les Havres
1983  Notre Dame de la Croisette
1983  The Wounded Man
1983  Unguided Tour
1984  Full Moon in Paris
1984  Tosca's Kiss
1985  L'Homme aux yeux d'argent
1985  Rendez-vous
1985  Wuthering Heights
1986  Rosa la Rose, Public Girl
1987  Au Revoir les Enfants
1987  Jenatsch
1987  The Death of Empedocles
1987  The Innocents
1989  Chimère
1989  Twister
1990  May Fools
1990  Uranus
1991  Le film du cinéma suisse
1991  Nothing But Lies
1992  Off Season
1993  Smoking / No Smoking
1994  La mort de Molière
1995  Adultery (A User's Guide)
1995  Kazuo Ohno
1995  The Written Face
1995  Things
1996  Party
1997  Same Old Song
1997  The Silence of Rak
1997  Voyage to the Beginning of the World
1998  Anxiety
1998  Day After Day
1999  Beresina
1999  Kadosh
1999  Vanaprastham
2000  Kippur
2000  Nightcap
2000  Word and Utopia
2001  Eden
2001  Workers, Peasants
2002  Dolando
2002  Marie-Jo and Her 2 Lovers
2002  The Uncertainty Principle
2003  Alila
2003  Humiliated
2003  Incantati
2003  Not on the Lips
2003  The Return of the Prodigal Son
2004  A Visit to the Louvre
2005  The Last Mitterrand
2006  Magic Mirror
2006  These Encounters of Theirs
2007  Max & Co
2008  Artemide's Knee
2009  Buried Secrets
2009  Joachim Gatti, variation de lumière
2009  Le streghe, femmes entre elles
2010  We Believed
2011  Belleville Tokyo
2011  L'Inconsolable
2011  O somma luce
2012  Asfouri
2012  Gebo and the Shadow
2012  Lullaby to my Father
2012  Un héritier
2012  You, Me and Us
2013  Dialogue of Shadows
2014  Chafariz das Virtudes
2014  Leopardi
2014  The Old Man of Belem
2015  In the Shadow of Women
2016  Stalin's Couch
2017  Lover for a Day
2017  Strange Birds
2018  People of the Lake
2020  France Against the Robots
2020  The Salt of Tears
2021  Il Buco
2021  The King of Laughter
2023  The Plough

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.