A work in constant progress (and occasional regress).
Release Date:
January 24, 1990
Original Title:
Milou en Mai
Alternate Titles:
May Fools
Milou a maggio
Milou en Mayo
Genres:
Comedy | Drama
Production Companies:
Ellepi Films
Nouvelles Éditions de Films (NEF)
TF1 Films Production
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Runtime: 107
An eccentric family is re-united during the 1968 general strike in France, after the death of the grandmother.
Administration:
Catherine Staub
Assistant Editor:
Nathalie Langlade
Marie-France Poulizac
Boom Operator:
Brigitte Taillandier
Carpenter:
Roger Fresca
Casting:
Jeanne Biras
Swan Pham
Construction Coordinator:
André Loisif
Costume Design:
Catherine Leterrier
Costume Supervisor:
Anne David
Costumer:
Annick Redon
Director:
Louis Malle
Director of Photography:
Renato Berta
Editor:
Emmanuelle Castro
Electrician:
Damien Bret
Executive Producer:
Vincent Malle
First Assistant Camera:
Jean-Paul Toraille
First Assistant Director:
Michel Ferry
Foley Artist:
Laurent Lévy
Gaffer:
Christian Weyers
Franck Coquet
Hairstylist:
Laurence Le Bourvelec-Butin
Christiane Berroyer
In Memory Of:
Bruno Carette
Key Grip:
Guy Canu
Key Makeup Artist:
Joël Lavau
Françoise Chapuis-Asselin
Music Consultant:
Henning Lohner
Henri Renaud
Original Music Composer:
Stéphane Grappelli
Painter:
Jean Bretonnière
Producer:
Louis Malle
Production Assistant:
Frédéric Doniguian
Frédérique Chevarin
Production Design:
Willy Holt
Philippe Turlure
Production Manager:
Gérald Molto
Claudio Gaeta
Production Secretary:
Simone Escoffier
Property Master:
Michel Grimaud
Props:
Benoît Clémenceau
Publicist:
Claude Davy
Screenplay:
Louis Malle
Jean-Claude Carrière
Script Supervisor:
France Lachapelle
Second Assistant Camera:
Muriel Coulin
Second Assistant Director:
Luc Etienne
Sound Designer:
Jean-Claude Laureux
Sound Mixer:
Dominique Hennequin
Still Photographer:
Jeanne-Louise Bulliard
Unit Manager:
Sylvie Duluc
Unit Production Manager:
Jean-Yves Asselin
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.