Cecylia Wróblewska (b. 1902)

Gallery Unavailable

Alias:
Cecylia Wróblewska-Sokołowska

Birthplace:
Ostrów, Polska

Born:
January 1, 1902

Additional information:

The Search Form


Art Direction:
1955  The Hours of Hope

Assistant Production Design:
1955  Atlantic Story
1955  Career
1955  Magical Bicycle
1955  The Hours of Hope
1956  Sprawa pilota Maresza
1957  Farewell to the Devil
1957  Skarb kapitana Martensa
1957  Trzy kobiety
1958  Eroica
1959  The Attempt
1960  Meetings In The Dark
1960  The Moonwalkers
1961  Dziś w nocy umrze miasto
1961  Silent Traces
1962  Two Gentlemen 'N'
1963  Czarne skrzydła
1963  The Big, Bigger, and the Biggest
1965  Beata

Assistant Set Decoration:
1952  Young Chopin
1955  Atlantic Story
1955  Career
1955  Magical Bicycle
1955  The Hours of Hope
1956  Sprawa pilota Maresza
1957  Farewell to the Devil
1957  Skarb kapitana Martensa
1957  Trzy kobiety
1958  Eroica
1959  The Attempt
1960  Meetings In The Dark
1960  The Moonwalkers
1961  Dziś w nocy umrze miasto
1961  Silent Traces
1962  Two Gentlemen 'N'
1963  Czarne skrzydła
1963  The Big, Bigger, and the Biggest
1965  Beata
1968  The Doll

Set Decoration:
1952  Young Chopin
1954  Cellulose
1954  Under the Phrygian Star
1955  Atlantic Story
1955  Career
1955  Magical Bicycle
1955  The Hours of Hope
1956  Sprawa pilota Maresza
1957  Farewell to the Devil
1957  Skarb kapitana Martensa
1957  Trzy kobiety
1958  Eroica
1958  What Will My Wife Say to This?
1959  The Attempt
1960  Meetings In The Dark
1960  The Moonwalkers
1961  Dziś w nocy umrze miasto
1961  Silent Traces
1962  Rodzina Milcarków
1962  The Touch of the Night
1962  Two Gentlemen 'N'
1963  Czarne skrzydła
1963  The Big, Bigger, and the Biggest
1964  A Lady from the Window
1965  Beata
1966  Miejsce dla jednego
1966  Sposób bycia
1966  Unloved
1967  Bicz Boży
1967  Pavoncello
1968  The Doll
1969  Adventure with a Song
1969  The Song of Triumphant Love

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.