A work in constant progress (and occasional regress).
Release Date:
November 7, 1968
Original Title:
Lalka
Alternate Titles:
La Poupée
Lalka
Genres:
Drama | History | Romance
Production Companies:
Zespół Filmowy "Kamera"
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 152
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
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Assistant Camera:
Julian Magda
Mieczyslaw Sitarz
Mieczyslaw Lewandowski
Bronisław Stasiowski
Assistant Director:
Andrzej Berbecki
Beata Bilska
Assistant Editor:
Krzysztof Osiecki
Danuta Bonikowska
Assistant Makeup Artist:
Tadeusz Domiczek
Zygmunt Kaźmierski
Assistant Production Design:
Tadeusz Kosarewicz
Andrzej Płocki
Albert Kuchnia
Albin Wejman
Edmund Siekierski
Assistant Production Manager:
Wlodzimierz Kaczmarski
Wiesława Borecka
Ryszard Jasionowski
Wieslaw Tymowski
Henryk Wasilewski
Wanda Wojnar-Iliew
Assistant Set Decoration:
Maria Szafran
Cecylia Wróblewska
Wlodzimierz Czachowski
Camera Operator:
Andrzej Ramlau
Conductor:
Konrad Bryzek
Costume Assistant:
Alicja Ptaszyńska
Elżbieta Meksz
Costume Design:
Lidia Skarżyńska
Jerzy Skarżyński
Dialogue:
Kazimierz Brandys
Director:
Wojciech Jerzy Has
Director of Photography:
Stefan Matyjaszkiewicz
Editor:
Zofia Dwornik
First Assistant Director:
Halina Garus
Wojciech Solarz
Hairstylist:
Zofia Chec
Makeup Artist:
Anna Włodarczyk
Novel:
Bolesław Prus
Original Music Composer:
Wojciech Kilar
Production Design:
Jerzy Skarżyński
Adam Nowakowski
Production Manager:
Ryszard Straszewski
Screenplay:
Wojciech Jerzy Has
Set Decoration:
Maciej Maria Putowski
Sound:
Bohdan Bieńkowski
Sound Assistant:
Jan Franciszczak
Kazimierz Siczek
Wlodzimierz Wisniewski
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.