Kateřina Ondřejková (b. 1966)

Gallery Unavailable

Alias:
Katerina Ondrejková

Born:
October 28, 1966

Additional information:

The Search Form


Creative Producer:
2017  V hlavní roli trubka
2018  Tomáš Klus – RecyKlus Tour
2019  Homo Academicus – Josef Jařab
2019  Let There Be Light
2019  Monkey Business v ostravském Brickhousu
2019  My Freedom
2019  Poslední aristokratka
2020  Droneman
2022  Grand Prix
2022  Mirai – Turné 2021
2022  The Bohemian
2023  All Ends Well
2023  K poctě Davida Stypky
2023  Kateřina Marie Tichá & Bandjeez
2023  Praise Me!
2023  Slavné jazzové spirituály
2023  The Modrý Case
2024  Semjon Byčkov

Dramaturgy:
1999  Bezúčelná procházka Jiřího Barty
1999  Black and White in Colour
1999  Hamsa, já jsem
2014  Nowhere in Moravia
2016  Odvaha
2017  The Quartette
2017  V hlavní roli trubka
2018  Tomáš Klus – RecyKlus Tour
2019  Homo Academicus – Josef Jařab
2019  Let There Be Light
2019  Monkey Business v ostravském Brickhousu
2019  My Freedom
2019  Poslední aristokratka
2019  Sarcophagus for a Queen
2019  Watchmakerʼs Apprentice
2020  Droneman
2022  Grand Prix
2022  Mirai – Turné 2021
2022  The Bohemian
2023  All Ends Well
2023  K poctě Davida Stypky
2023  Kateřina Marie Tichá & Bandjeez
2023  Praise Me!
2023  Slavné jazzové spirituály
2023  The Modrý Case
2024  Semjon Byčkov

Producer:
1999  Bezúčelná procházka Jiřího Barty
1999  Black and White in Colour
1999  Hamsa, já jsem
2014  Nowhere in Moravia
2016  Odvaha
2016  The Teacher
2017  The Quartette
2017  V hlavní roli trubka
2018  Tomáš Klus – RecyKlus Tour
2019  Homo Academicus – Josef Jařab
2019  Let There Be Light
2019  Monkey Business v ostravském Brickhousu
2019  My Freedom
2019  Poslední aristokratka
2019  Sarcophagus for a Queen
2019  Watchmakerʼs Apprentice
2020  Droneman
2022  Grand Prix
2022  Mirai – Turné 2021
2022  The Bohemian
2023  All Ends Well
2023  K poctě Davida Stypky
2023  Kateřina Marie Tichá & Bandjeez
2023  Praise Me!
2023  Slavné jazzové spirituály
2023  The Modrý Case
2024  Semjon Byčkov
2024  Tři princezny

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.