A work in constant progress (and occasional regress).
Release Date:
September 26, 2019
Original Title:
Nech je svetlo
Alternate Titles:
Niech stanie się światłość
Que se haga la luz
Κι εγένετο φως
Genres:
Drama
Production Companies:
Artileria
Negativ
RTVS
Česká televize
Production Countries:
Czech Republic | Slovakia
Ratings / Certifications:
CZ: 18+ SK: 15
Runtime: 89
Milan, a Slovak working in Germany as a bricklayer, returns home to celebrate Christmas with his wife and three children, one of whom appears to be involved in suspicious activities related to an extremist organization.
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Assistant Director:
Miša Jeleneková
Boom Operator:
Milan Sirkovský
Camera Operator:
Vlado Križan
Pavol Wolf
Co-Producer:
Zuzana Balkóová
Costume Designer:
Erika Gadus
Costumer:
Eliška Petrovská
Creative Producer:
Kateřina Ondřejková
Director:
Marko Škop
Director of Photography:
Ján Meliš
Editor:
František Krähenbiel
Marina Andree Škop
Executive Producer:
Jarmila Hoznauerová
Focus Puller:
Maroš Žilničan
Gaffer:
Ivan Fuják
Graphic Designer:
Martin Derner
Key Grip:
Mário Tardík
Makeup Artist:
Petra Spielbocková
Makeup Designer:
Zuzana Paulini
Makeup Effects Designer:
Martin Jankovič
Original Music Composer:
Oskar Rózsa
David Solař
Post Production Supervisor:
Viktor Šefčík
Peter Košťál
Palo Ďurák
Producer:
Ján Meliš
Petr Oukropec
Pavel Strnad
Marko Škop
Palo Jelenek
Production Design:
Pavol Andraško
Production Manager:
Miša Jeleneková
Roman Genský
Ljuba Pašková
Props:
Tomáš Bakočka
Ján Žiska
Richard Otto
Peter Kopaj
Screenplay:
Marko Škop
Script Editor:
Martin Novosad
Zuzana Liová
František Krähenbiel
Magdaléna Glasnerová
Ladislav Pavič
Daniel Majling
Jana Kákošová
Script Supervisor:
Zuzana Dujničová
Second Unit Director:
Marek Kuboš
Sound Designer:
Ján Ravasz
Jan Čeněk
Sound Editor:
Jan Čeněk
Sound Mixer:
Jan Čeněk
Sound Post Supervisor:
Jan Čeněk
Special Effects:
Jozef Ťaptík
Branislav Podlucký
Steadicam Operator:
Rasťo Slezák
Matúš Baranec
Technical Advisor:
Jozef Mikyta
Daniel Milo
Radovan Bránik
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.