A work in constant progress (and occasional regress).
Alias:
Sergio Bürmann
Boom Operator:
1997 Open Your Eyes
2001 The Others
Production Sound Mixer:
1997 Open Your Eyes
2001 The Others
2016 Julieta
Sound:
1997 Open Your Eyes
1998 The Lighthouse
2001 The Others
2009 Al final del camino
2011 23-F: la película
2014 El nino
2016 Julieta
2019 Pain and Glory
2019 The Silence of the Marsh
2020 The Human Voice
Sound Assistant:
1996 Like a Bolt of Lightning
1997 Open Your Eyes
1998 The Lighthouse
2001 The Others
2009 Al final del camino
2011 23-F: la película
2014 El nino
2016 Julieta
2019 Pain and Glory
2019 The Silence of the Marsh
2020 The Human Voice
Sound Designer:
1996 Like a Bolt of Lightning
1997 Open Your Eyes
1998 The Lighthouse
2001 The Others
2009 Al final del camino
2011 23-F: la película
2014 El nino
2016 Julieta
2017 Perfect Strangers
2017 The Bar
2019 Pain and Glory
2019 The Silence of the Marsh
2020 The Human Voice
Sound Mixer:
1996 Like a Bolt of Lightning
1997 Open Your Eyes
1998 The Lighthouse
2001 The Others
2009 Al final del camino
2010 Paper Birds
2011 23-F: la película
2014 El nino
2016 Julieta
2017 Marrowbone
2017 Perfect Strangers
2017 The Bar
2018 The Warning
2019 Pain and Glory
2019 The Silence of the Marsh
2020 The Human Voice
2023 Strange Way of Life
Sound Recordist:
1996 Like a Bolt of Lightning
1997 Open Your Eyes
1998 The Lighthouse
2001 The Others
2009 Al final del camino
2010 Paper Birds
2011 23-F: la película
2014 El nino
2015 My Big Night
2016 Julieta
2017 Marrowbone
2017 Perfect Strangers
2017 The Bar
2018 The Warning
2019 Pain and Glory
2019 The Silence of the Marsh
2020 The Human Voice
2021 The Vault
2023 Phenomena
2023 Strange Way of Life
Sound:
2018 Arde Madrid
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.