A work in constant progress (and occasional regress).
Release Date:
August 2, 2001
Original Title:
The Others
Alternate Titles:
Drugite
Ha-Aherim
Nevidljivi
Oi álloi
Інші
Другие
Духови у нама
アザーズ
不速之吓
小岛惊魂
神鬼第六感
Genres:
Horror | Mystery | Thriller
Production Companies:
Cruise/Wagner Productions
Dimension Films
Las Producciones del Escorpion
Sogecine
Production Countries:
Spain | United States of America
Ratings / Certifications:
AR: 13 AU: M BR: 12 CH: 14 CZ: 15+|12+ DE: 12 ES: 12 FR: 12 GB: 12 HK: IIB HU: 16 IE: 15 IS: 12 IT: VM14 JP: G LT: N-16 MX: B MY: U NL: 12|16 NO: 15 PE: 14 PL: 16 PT: M/16 RU: 16+ SE: 15 SG: PG US: PG-13
Runtime: 104
Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
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3D Supervisor:
Carmen Díaz
ADR Recordist:
John Bateman
Accountant:
Javier de Oleza
Art Direction:
Benjamín Fernández
Assistant Accountant:
Juan Luis Pedrero
Assistant Director:
Javier Chinchilla
Assistant Editor:
María José Almela
Assistant Sound Engineer:
John Bailey
Associate Producer:
Eduardo Chapero-Jackson
Boom Operator:
Sergio Burmann
Camera Operator:
Julio Madurga
Carpenter:
Antonio Sánchez-Romo
Casting:
Shaheen Baig
Jina Jay
Casting Assistant:
Camilla Evans
Chaperone:
Susan Ball
Clapper Loader:
Juan de Andrés
Color Timer:
Yolanda Cáceres
Compositing Supervisor:
Rafa Solórzano
Conductor:
Claudio Ianni
Construction Buyer:
Pedro Jesús De la Fuente
Controller:
Eva Muslera
Costume Design:
Sonia Grande
Craft Service:
Laura Muñoz-Rojas
Dialogue Coach:
Sandra Frieze
Digital Compositors:
Eduardo Díaz
Director:
Alejandro Amenábar
Director of Photography:
Javier Aguirresarobe
Dolby Consultant:
James Seddon
Editor:
Nacho Ruiz Capillas
Electrician:
Carlos García
Executive Assistant:
David Greenbaum
Executive Producer:
Tom Cruise
Rick Schwartz
Harvey Weinstein
Bob Weinstein
Paula Wagner
First Assistant Sound Editor:
Álex F. Capilla
Focus Puller:
Salvador Gómez Calle
Foley Artist:
Julien Naudin
Foley Recordist:
Guillaume Delamare
Gaffer:
Enrique Bello
Grip:
José Luis González
Hairdresser:
Kerry Warn
Hairstylist:
Belén López-Puigcerver
Line Producer:
Miguel Ángel González
Emiliano Otegui
Makeup Artist:
Ana López-Puigcerver
Music Producer:
Lucio Godoy
Negative Cutter:
Felisa Catalinas
Original Music Composer:
Alejandro Amenábar
Post Production Assistant:
Maite Bermúdez
Producer:
Sunmin Park
Fernando Bovaira
José Luis Cuerda
Production Accountant:
Brian Gibbs
Production Assistant:
Marian Fernández Pascal
Production Consultant:
Jonathan Sanger
Production Coordinator:
Trilby Norton
Production Design:
Benjamín Fernández
Production Illustrator:
Steve Ellis
Production Runner:
Daniel M. Villalba
Production Trainee:
Claire Amondaray
Public Relations:
Carlos del Hoyo
Scenic Artist:
Julián Martín
Script Supervisor:
Carmen Soriano
Seamstress:
Claudia Adriazola
Second Assistant Director:
Guillermo Escribano
Second Second Assistant Director:
Luis Casacuberta
Security Coordinator:
Luis Pérez Dávila
Set Decoration:
Emilio Ardura
Benjamín Fernández
Elli Griff
Sound:
Ricardo Steinberg
Sound Designer:
Maite Rivera Carbonell
Isabel Díaz Cassou
Sound Engineer:
Geoff Foster
Special Effects Assistant:
Graham Aikman
Special Effects Supervisor:
Derek Langley
Stand In:
Irene Ballesteros
Standby Painter:
Salvador Comes
Steadicam Operator:
Arturo Aldegunde
Still Photographer:
Stanley B. Burns
Storyboard Artist:
Natalia Montes
Stunt Coordinator:
Miguel Pedregosa
Stunts:
Sonia Gonzalo
Third Assistant Director:
Carlos Santana
Title Designer:
Garson Yu
Translator:
Walter Leonardi
Unit Manager:
José Antonio García Tapia
Visual Effects Coordinator:
Úrsula García
Visual Effects Supervisor:
Félix Bergés
Wardrobe Assistant:
Ana Cuerda
Wigmaker:
Peter Owen
Writer:
Alejandro Amenábar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.