Miguel Ángel Polo

Gallery Unavailable

Alias:
Miguel A. Polo
Miguel Polo
Miquel Angel Polo

Additional information:

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Boom Operator:
1976  Cria!
1977  El monosabio
1979  Operation Ogre
1980  The Nest
1981  Faster, Faster
1982  Sweet Hours
1983  El Sur

Sound:
1976  Cria!
1977  A Dog Called... Vengeance
1977  El monosabio
1978  Blindfolded Eyes
1979  Operation Ogre
1980  Pepi, Luci, Bom
1980  The Nest
1981  Faster, Faster
1982  Sweet Hours
1983  El Sur
1984  Ikuska 18: Bertsolaritza
1984  Ikuska 19: Euskal kulturaren zabalpena
1984  The Secret Garden
1985  Stico
1987  Divine Words
1987  Rest in Pieces
1996  Robo en el cine Capitol
1997  Siempre hay un camino a la derecha
2002  Natale sul Nilo
2002  ¡Hasta aquí hemos llegado!
2004  Che ne sarà di noi
2006  Pan's Labyrinth

Sound Designer:
1976  Cria!
1977  A Dog Called... Vengeance
1977  El monosabio
1978  Blindfolded Eyes
1979  Operation Ogre
1980  Pepi, Luci, Bom
1980  The Nest
1981  Faster, Faster
1982  Sweet Hours
1983  El Sur
1984  Ikuska 18: Bertsolaritza
1984  Ikuska 19: Euskal kulturaren zabalpena
1984  The Secret Garden
1985  Stico
1987  Divine Words
1987  Rest in Pieces
1996  Robo en el cine Capitol
1997  Siempre hay un camino a la derecha
2002  Natale sul Nilo
2002  ¡Hasta aquí hemos llegado!
2004  Che ne sarà di noi
2006  Pan's Labyrinth

Sound Recordist:
1976  Cria!
1977  A Dog Called... Vengeance
1977  El monosabio
1978  Blindfolded Eyes
1979  Operation Ogre
1980  Pepi, Luci, Bom
1980  Rapture
1980  The Nest
1981  Faster, Faster
1982  Sweet Hours
1983  El Sur
1984  Ikuska 18: Bertsolaritza
1984  Ikuska 19: Euskal kulturaren zabalpena
1984  The Secret Garden
1985  Stico
1987  Divine Words
1987  Rest in Pieces
1996  Robo en el cine Capitol
1997  Siempre hay un camino a la derecha
2002  Natale sul Nilo
2002  ¡Hasta aquí hemos llegado!
2004  Che ne sarà di noi
2006  Pan's Labyrinth

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.