A work in constant progress (and occasional regress).
Release Date:
March 25, 1981
Original Title:
Deprisa, deprisa
Alternate Titles:
Depressa, Depressa
Fast, Fast
Faster, Faster
Gyorsan, gyorsan
Haydi Koş
In fretta, in fretta
Los, Tempo!
Szybciej, szybciej
Szybko, szybko
Vauhtia, vauhtia!
Vivre vite
Быстрей, быстрей
急げ、急げ
Genres:
Crime | Drama | Romance
Production Companies:
Elías Querejeta PC
Les Films Molière
Pathé Consortium Cinéma
Production Countries:
France | Spain
Ratings / Certifications:
ES: 18 KR: 18 RO: 18
Runtime: 99
Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.
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Assistant Director:
José López Rodero
José Luis García-Berlanga
Assistant Editor:
Juan Ignacio San Mateo
Ricardo Álvarez
Boom Operator:
Miguel Ángel Polo
Camera Operator:
Alfredo Mayo
Cinematography:
Teo Escamilla
Costume Design:
Maiki Marín
Delegated Producer:
Tony Molière
Director:
Carlos Saura
Editor:
Pablo G. del Amo
First Assistant Camera:
Santiago Zuazo
Foley Artist:
Antonio Illán
Makeup Artist:
Ramón de Diego
Producer:
Elías Querejeta
Production Assistant:
Víctor Albarrán
Production Manager:
Primitivo Álvaro
Property Master:
Gregorio Hebrero
Props:
Antonio Luna
Antonio Mateos
Jesús Mateos
Ricardo Mengíbar
Script Supervisor:
Blanca Astiasu
Second Assistant Camera:
Antonio Pueche
Set Decoration:
Antonio Belizón
Sound:
Bernardo Menz
Sound Mixer:
José María San Mateo
Special Effects:
Reyes Abades
Still Photographer:
Jesús Rambal
Stunt Driver:
Alain Petit
Title Designer:
Pablo Núñez
Wardrobe Coordinator:
Julita Castro
Writer:
Carlos Saura
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.