A work in constant progress (and occasional regress).
Alias:
Adolfo Ponte Mancini
Assistant Makeup Artist:
1954 The Devil Plays the Flute
Costume Designer:
1954 The Devil Plays the Flute
1960 Un tipo de sangre
Key Makeup Artist:
1954 The Devil Plays the Flute
1958 Anna Said Yes
1959 Duelo en la cañada
1960 Un tipo de sangre
1966 Proceso a una estrella
Makeup Artist:
1954 The Devil Plays the Flute
1957 El hombre que viajaba despacito
1957 Las muchachas de azul
1957 Miracles of Thursday
1958 Anna Said Yes
1958 Héroes del aire
1959 Duelo en la cañada
1960 091: Police speaking
1960 Red Lips
1960 Un tipo de sangre
1961 La venganza de Don Mendo
1962 Abuelita Charlestón
1962 Rogelia
1962 The Awful Dr. Orlof
1963 Eva 63
1964 Fin de semana
1964 Romeo e Giulietta
1964 Un español en la corte del rey Arturo
1966 Hallucination Generation
1966 Left-Handed Fate
1966 Proceso a una estrella
1966 Residence for Spies
1966 Taste of Killing
1967 Blueprint for a Massacre
1967 Run Like a Thief
1969 99 Women
1969 Matrimonios separados
1969 No somos ni Romeo ni Julieta
1969 Shadow of Death
1969 The Exquisite Cadaver
1970 Arizona Colt Returns
1970 La otra residencia
1970 Los extremeños se tocan
1971 Cómo casarse en siete días
1972 Night of the Devils
1973 Celos, amor y Mercado Común
1973 The Guerrilla
1974 La boda o la vida
1974 The Devil's Possessed
1975 Exorcismo
1975 Night of the Howling Beast
1975 Sleep, Sleep, My Love
1975 Three Swedes for Three Rodríguez's
1976 Beyond Desire
1976 Kilma, Queen of the Amazons
1976 La iniciación en el amor
1976 The Anchorite
1976 The Kidnapping
1978 Avisa a Curro Jiménez
1980 ...And the Third Year, He Resuscitated
1981 Madame Olga's Pupils
1984 Una espía enamorada
Makeup Artist:
1976 Curro Jiménez
Makeup Department Head:
1976 Curro Jiménez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.