A work in constant progress (and occasional regress).
Release Date:
May 14, 1962
Original Title:
Gritos en la noche
Alternate Titles:
Den förskräcklige doktor Orlof
Der schreckliche Dr. Orloff
Dr Orloff, o dolofonos ton gymnon gynaikon
El doctor demonio
Il diabolico dott. Satana
L'horrible Docteur Orlof
L'horrible Orlof
O Terrível Dr. Orloff
O satanikos Dr. Orloff
Schreie durch die Nacht
The Demon Doctor
Ужасный доктор Орлофф
美女の皮をはぐ男
Genres:
Horror | Thriller
Production Companies:
Hispamer Films
Leo Lax Production
Ydex Eurociné
Production Countries:
France | Spain
Ratings / Certifications:
N/A
Runtime: 90
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices.
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Assistant Director:
Alfredo Hurtado
Assistant Editor:
Alicia Castillo
Assistant Makeup Artist:
María Teresa Martín
Assistant Set Decoration:
Félix Michelena
Camera Operator:
Javier Pérez Zofio
Cinematography:
Godofredo Pacheco
Costume Designer:
Izquierdo
Costume Supervisor:
María del Carmen Martínez Román
Costumer:
Angelines Castro
Rando
Director:
Jesús Franco
Director of Photography:
Godofredo Pacheco
Editor:
Alfonso Santacana
Executive Producer:
Sergio Newman
Makeup Artist:
Adolfo Ponte
Novel:
David Khune
Original Music Composer:
José Pagán
Antonio Ramírez Ángel
Producer:
Leo Lax
Marius Lesoeur
Production Assistant:
Miguel Asensio
Production Manager:
Gerardo Mendiburu
Production Supervisor:
Ángel Rosson y Rubio
Property Master:
Martín Sacristán
Screenplay:
Jesús Franco
Script Supervisor:
Isabel Campo
Set Decoration:
Antonio Simont
Special Effects:
Pirax
Still Photographer:
Daniel Ortiz
Story:
Jesús Franco
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.