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Film Production

Sound:
1969  27 Minutos com Fernando Lopes Graça
1969  O Diabo Era Outro
1975  Cartas na Mesa

Sound Design Assistant:
1947  Fado, a Singer's Story
1969  27 Minutos com Fernando Lopes Graça
1969  O Diabo Era Outro
1975  Cartas na Mesa

Sound Designer:
1947  Fado, a Singer's Story
1951  The Circus
1969  27 Minutos com Fernando Lopes Graça
1969  O Diabo Era Outro
1972  O Recado
1975  Cartas na Mesa
1984  Chronicle of Good Hoodlums
1988  The Emissaries of Khalom

Sound Director:
1947  Fado, a Singer's Story
1951  The Circus
1952  A Garça e a Serpente
1969  27 Minutos com Fernando Lopes Graça
1969  O Diabo Era Outro
1972  O Recado
1975  Cartas na Mesa
1984  Chronicle of Good Hoodlums
1988  The Emissaries of Khalom

Sound Editor:
1947  Fado, a Singer's Story
1951  The Circus
1952  A Garça e a Serpente
1969  27 Minutos com Fernando Lopes Graça
1969  O Diabo Era Outro
1972  O Recado
1975  Cartas na Mesa
1980  Manhã Submersa
1984  Chronicle of Good Hoodlums
1988  The Emissaries of Khalom

Sound Mixer:
1947  Fado, a Singer's Story
1951  The Circus
1952  A Garça e a Serpente
1969  27 Minutos com Fernando Lopes Graça
1969  O Diabo Era Outro
1972  O Recado
1975  Cartas na Mesa
1979  Doomed Love
1979  Os Filhos da Noite
1980  Manhã Submersa
1984  Chronicle of Good Hoodlums
1985  The Movement of Things
1987  O Querido Lilás
1988  The Emissaries of Khalom

Sound Recordist:
1947  Fado, a Singer's Story
1951  The Circus
1952  A Garça e a Serpente
1961  O Voo da Amizade
1966  Cruzeiro do Sul
1969  27 Minutos com Fernando Lopes Graça
1969  O Diabo Era Outro
1972  O Recado
1975  Cartas na Mesa
1977  As Ruínas no Interior
1979  Doomed Love
1979  Os Filhos da Noite
1980  Manhã Submersa
1984  Chronicle of Good Hoodlums
1985  The Movement of Things
1987  O Querido Lilás
1988  The Emissaries of Khalom

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.