A work in constant progress (and occasional regress).
Release Date:
November 28, 1947
Original Title:
Fado, História d'uma Cantadeira
Genres:
Drama | Music | Romance
Production Companies:
Lisboa Filme
Production Countries:
Portugal
Ratings / Certifications:
PT: M/12
Runtime: 110
Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous.
Assistant Editor:
Maria Beatriz
Assistant Production Manager:
António Veríssimo
A. F. Leal
Camera Operator:
João Silva
João Moreira
Mário Moreira
Costume Design:
Beatriz Chagas
Director:
Perdigão Queiroga
Director of Photography:
Francesco Izzarelli
Editor:
Perdigão Queiroga
Gaffer:
João de Almeida
Makeup Department Head:
José María Sánchez
Music:
Frederico de Freitas
Music Director:
Jaime Mendes
Music Score Producer:
Silva Tavares
José Galhardo
Amadeu do Vale
Gabriel de Oliveira
João de Matos
Linhares Barbosa
Musician:
Jaime Santos
Raul Nery
Santos Moreira
Orchestrator:
Frederico Valério
Production Design:
Perdigão Queiroga
Production Manager:
Francisco A. Quintela
Production Office Assistant:
António Maduro
Production Office Coordinator:
Noémia Malveira
Screenplay:
Armando Vieira Pinto
Set Decoration:
Mário Costa
Sound:
Henrique Dominguez
Sound Design Assistant:
Luís Barão
Still Photographer:
Virgílio Rodrigues
Unit Production Manager:
Alfredo Hurtado
Wardrobe Supervisor:
Piero
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.