A work in constant progress (and occasional regress).
Executive Producer:
2022 I'm Wanita
Sound:
2021 The Department
2022 I'm Wanita
Sound Designer:
2007 The Goat That Ate Time
2013 The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4
2017 Berlin Syndrome
2021 Soulmate
2021 The Department
2022 I'm Wanita
Sound Editor:
2007 The Goat That Ate Time
2013 The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4
2017 Berlin Syndrome
2018 The Crying Wind
2021 Soulmate
2021 The Department
2022 I'm Wanita
2023 Revenge: Our Dad the Nazi Killer
Supervising Sound Editor:
2007 The Goat That Ate Time
2012 Mabo
2013 The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4
2017 Berlin Syndrome
2018 The Crying Wind
2021 Soulmate
2021 The Department
2022 I'm Wanita
2023 Revenge: Our Dad the Nazi Killer
Sound Designer:
2018 Harrow
2021 Preppers
Sound Re-Recording Mixer:
2018 Harrow
2021 Preppers
2023 The Artful Dodger
2024 Plum
Sound Supervisor:
2011 Paper Giants: The Birth of Cleo
2018 Harrow
2021 Preppers
2023 The Artful Dodger
2024 Plum
Supervising Sound Editor:
2011 Paper Giants: The Birth of Cleo
2018 Harrow
2021 Preppers
2023 The Artful Dodger
2024 Plum
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.