A work in constant progress (and occasional regress).
Release Date:
February 26, 2021
Original Title:
Soulmate
Genres:
Science Fiction | Thriller
Production Companies:
Smoke Tale Films
Production Countries:
Bulgaria
Ratings / Certifications:
N/A
Runtime: 16
Thirteen-year-old Mila Malinov wakes up alone in the back of a cab. Arriving at the densely packed apartment block of zone 21, she makes her way to her room as the watchful eye of the global government hovers above in the form of monitor drones. Across the courtyard, another set of eyes watches her, a protective Mother. Her room is small, cubed, and very simplistic. In her ear, a voice keeps her company. Her father, Darko Malinov checks in. He speaks to her through an earpiece making sure she’s okay. The next day, Mila visits the local bartering station that’s at the end of the long alley that hugs her apartment block. Currency in this world has resorted back to bartering, swapping items for other items. Mila finds a group of interested buyers and swaps a capacitor for some food, all while her father guides her. That night, she shares a meal with her father via voice, wishing that he was there instead. As Mila sleeps, a figure sneaks up to her door making Mila nervous.
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Assistant Costume Designer:
Kimberley Morris
Casting:
Stevie Ray
Cinematography:
Kieran Fowler
Costume Design:
Cat de Lound
Costumer:
Radostina Todorova
Dialogue Editor:
Chapman Chan
Director:
Nik Kacevski
Editor:
Kent Hau
Executive Producer:
Christopher Seeto
Nik Kacevski
First Assistant Camera:
Vasil Stefanov
First Assistant Director:
Ilina Perianova
Line Producer:
Trayan Velev
Stoyan Galabov
Makeup Artist:
Boyka Mladenova
Makeup Designer:
Mariel McClorey
Music:
Michael Lira
Production Design:
Scott Bird
Sound:
Mohamed Elhusseini
Sound Designer:
Wes Chew
Luke Mynott
Sound Effects Editor:
Tania Vlassova
Sound Supervisor:
Charlotte Perry
Steadicam Operator:
Hristo Genkov
Stunt Coordinator:
Tim Wong
Ray Anthony
Visual Effects Supervisor:
Evan Whiteside
Writer:
Nik Kacevski
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.