A work in constant progress (and occasional regress).
Location Sound Recordist:
1931 Pardon Us
Recording Supervision:
1931 Pardon Us
1960 The Hypnotic Eye
Sound:
1931 Pardon Us
1954 The Bowery Boys Meet the Monsters
1956 Invasion of the Body Snatchers
1957 Dino
1957 My Gun Is Quick
1959 The Atomic Submarine
1960 The Hypnotic Eye
1960 The Plunderers
1962 Convicts 4
1963 Diary of a Madman
Sound Director:
1931 Pardon Us
1954 The Bowery Boys Meet the Monsters
1956 Invasion of the Body Snatchers
1957 Dino
1957 My Gun Is Quick
1959 The Atomic Submarine
1960 The Hypnotic Eye
1960 The Plunderers
1961 The Flight That Disappeared
1962 Convicts 4
1963 Diary of a Madman
Sound Engineer:
1931 Pardon Us
1954 The Bowery Boys Meet the Monsters
1956 Invasion of the Body Snatchers
1957 Dino
1957 My Gun Is Quick
1959 House on Haunted Hill
1959 The Atomic Submarine
1960 The Hypnotic Eye
1960 The Plunderers
1961 The Flight That Disappeared
1962 Convicts 4
1963 Diary of a Madman
Sound Mixer:
1931 Pardon Us
1954 The Bowery Boys Meet the Monsters
1956 Invasion of the Body Snatchers
1957 Dino
1957 My Gun Is Quick
1959 House on Haunted Hill
1959 The Atomic Submarine
1960 The Hypnotic Eye
1960 The Plunderers
1961 The Flight That Disappeared
1962 Convicts 4
1963 Diary of a Madman
1968 They Saved Hitler's Brain
Sound Recordist:
1931 Pardon Us
1954 The Bowery Boys Meet the Monsters
1956 Friendly Persuasion
1956 Invasion of the Body Snatchers
1957 Dino
1957 Footsteps in the Night
1957 My Gun Is Quick
1959 House on Haunted Hill
1959 King of the Wild Stallions
1959 The Atomic Submarine
1960 The Hypnotic Eye
1960 The Plunderers
1961 Dondi
1961 The Flight That Disappeared
1962 Convicts 4
1963 Diary of a Madman
1968 They Saved Hitler's Brain
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.