A work in constant progress (and occasional regress).
Sound:
1967 Portrait Electro Machin Chose
1969 Love Is a Funny Thing
1970 The Crook
1973 A Pain in the Ass
1974 The Woman with Red Boots
1978 Sadsacks In the Boarding School
1999 Le port des amours, Reinette l'Oranaise
Sound Designer:
1967 Portrait Electro Machin Chose
1968 Woman in Chains
1969 Love Is a Funny Thing
1970 The Crook
1972 Repeated Absences
1973 A Pain in the Ass
1974 The Woman with Red Boots
1978 Sadsacks In the Boarding School
1988 Faceless
1999 Le port des amours, Reinette l'Oranaise
Sound Engineer:
1967 Portrait Electro Machin Chose
1968 Woman in Chains
1969 Love Is a Funny Thing
1970 The Crook
1972 Repeated Absences
1973 A Full Day's Work
1973 A Pain in the Ass
1973 Don Juan or If Don Juan Were a Woman
1974 The Woman with Red Boots
1978 Sadsacks In the Boarding School
1988 Faceless
1999 Le port des amours, Reinette l'Oranaise
Sound Mixer:
1967 Portrait Electro Machin Chose
1968 Woman in Chains
1969 Love Is a Funny Thing
1969 Staircase
1970 The Crook
1972 Repeated Absences
1973 A Full Day's Work
1973 A Pain in the Ass
1973 Don Juan or If Don Juan Were a Woman
1974 The Woman with Red Boots
1978 Sadsacks In the Boarding School
1980 The Hostage Tower
1988 Faceless
1999 Le port des amours, Reinette l'Oranaise
Sound Recordist:
1967 Portrait Electro Machin Chose
1968 Woman in Chains
1969 Love Is a Funny Thing
1969 Staircase
1970 The Crook
1972 Repeated Absences
1973 A Full Day's Work
1973 A Pain in the Ass
1973 Don Juan or If Don Juan Were a Woman
1974 The Woman with Red Boots
1977 Sorcerer
1978 Sadsacks In the Boarding School
1980 The Hostage Tower
1982 Enigma
1985 To Live and Die in L.A.
1988 Faceless
1992 Orlando
1999 Le port des amours, Reinette l'Oranaise
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.