A work in constant progress (and occasional regress).
Release Date:
October 15, 1982
Original Title:
Enigma
Genres:
Drama | Thriller
Production Companies:
Archerwest
Filmcrest Productions
Goldcrest
International Film Investors
M.G. Films
Peroquet
Production Countries:
France | United Kingdom
Ratings / Certifications:
DE: 12 FR: U GB: 15 RU: 12+ US: PG
Runtime: 122
Five highly-trained KGB agents are sent to the west to assassinate several Soviet dissidents. In order to stop the diabolical plot, an American agent must infiltrate Soviet intelligence and obtain information from a Russian computer.
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Accountant:
Neil Chaplin
Mauricette Boisard
Art Direction:
Marc Frédérix
Assistant Camera:
Daniel Smague
Assistant Director:
Chris Carreras
Mishka Cheyko
Assistant Editor:
Peter Culverwell
Karen Baker Landers
Pat Gilbert
Camera Operator:
Jean-Paul Berrou
Casting:
Irene Lamb
Mamade
Construction Manager:
Guy Le Pabic
Continuity:
Angela Allen
Director:
Jeannot Szwarc
Director of Photography:
Jean-Louis Picavet
Editor:
Peter Weatherley
Electrician:
Jean-Claude Hamelin
Executive Producer:
Ben Arbeid
Grip:
Georges Geslin
Hairstylist:
Jean-Claude Chicot
Makeup Artist:
Marie-Madeleine Paris
Françoise Embry-Kernevez
Musician:
Mark Berrow
Novel:
Michael Barak
Orchestrator:
Douglas Gamley
Original Music Composer:
Douglas Gamley
Marc Wilkinson
Producer:
Peter Shaw
André Pergament
Production Assistant:
Blanche Wiesenfeld
Production Coordinator:
Lorraine Fennell
Production Design:
François Comtet
Production Manager:
Suzanne Wiesenfeld
Production Supervisor:
David Ball
Screenplay:
John Briley
Set Dresser:
Jean-Pierre Bazerolle
Sound Editor:
Jim Shields
Sound Re-Recording Mixer:
John Hayward
Sound Recordist:
Jean-Louis Ducarme
Special Effects:
Georges Laconelli
Stunt Coordinator:
Claude Carliez
Stunts:
Daniel Breton
Michel Berreur
Jean-Louis Airola
Unit Production Manager:
Patrick Gordon
Visual Effects Camera:
Alan Church
John Swinnerton
Wardrobe Designer:
Tanine Autré
Jean-Pierre Mayer
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.