A work in constant progress (and occasional regress).
Sound:
1933  Mirages of Paris
1935  The Sea Horse
1956  Maid in Paris
1960  Mum's the Word
1960  Testament of Orpheus
1963  Thank Heaven for Small Favors
1964  Let's Rob the Bank
1966  Brigade Anti Gangs
1967  The Exchange Student
Sound Editor:
1933  Mirages of Paris
1935  The Sea Horse
1955  Girl on the Third Floor
1956  Maid in Paris
1960  Mum's the Word
1960  Testament of Orpheus
1963  Thank Heaven for Small Favors
1964  Let's Rob the Bank
1966  Brigade Anti Gangs
1967  The Exchange Student
1968  The Big Wash
Sound Engineer:
1933  Mirages of Paris
1935  The Sea Horse
1948  In the Heart of the Thunderstorm
1950  La montagne est verte
1955  Girl on the Third Floor
1955  The Fugitives
1956  Maid in Paris
1956  Meeting in Paris
1959  Gorilla's Waltz
1960  Mum's the Word
1960  Testament of Orpheus
1963  Thank Heaven for Small Favors
1964  Let's Rob the Bank
1966  Brigade Anti Gangs
1967  The Exchange Student
1968  The Big Wash
Sound Mixer:
1933  Mirages of Paris
1935  The Sea Horse
1948  In the Heart of the Thunderstorm
1949  Truant School
1950  La montagne est verte
1955  Girl on the Third Floor
1955  The Fugitives
1956  Maid in Paris
1956  Meeting in Paris
1959  Gorilla's Waltz
1959  The Chasers
1960  Mum's the Word
1960  Testament of Orpheus
1963  Thank Heaven for Small Favors
1964  Let's Rob the Bank
1966  Brigade Anti Gangs
1967  Order of the Daisy
1967  The Exchange Student
1968  The Big Wash
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.