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Let's Rob the Bank (1964) [N/A]

Release Date:
February 25, 1964

Original Title:
Faites sauter la banque!

Alternate Titles:
Let's Rob the Bank
Ας ληστέψουμε την τράπεζα
Σπάστε τις τράπεζες
直捣黄龙府

Genres:
Comedy | Crime

Production Companies:
Les Films Copernic
Pamec Cinematografica

Production Countries:
France

Ratings / Certifications:
DE: 12  FR: U 

Runtime: 88

Overview from TheMovieDB

Shopkeeper Victor Garnier has naively invested his family's life savings in an African mine, on his banker's recommendation. When the mine is nationalized, rendering the stock worthless, he considers himself shamelessly robbed by the bank; it seems only fair to him to return the 'favor' and rob the bank, teaming up with the whole family as they were all duped. Even for professionals such an enterprise -he decides to dig a tunnel- is quite demanding, but for simple commoners it's daunting, as they also have their personal downsides; thus Victor's wife has a most unwelcome tendency to blurt out the truth, even to the grumpy local copper: a crazy risk when you need to keep a criminal plan secret.

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Additional information:

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Performers

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Production

Adaptation:
Jacques Vilfrid
Jean Girault

Administration:
Maurice Cadaze

Art Department Assistant:
Claude Blosseville
Henri Sonois

Assistant Editor:
Bernard Bourgouin

Camera Operator:
Guy Suzuki

Cinematography:
André Germain

Dialogue:
Jacques Vilfrid

Director:
Jean Girault

Editorial Production Assistant:
Jean-Michel Gautier

Makeup Department Head:
Anatole Paris

Manager of Operations:
Rudy LeRoy

Music:
Paul Mauriat

Production Assistant:
Raymond Danon

Production Manager:
Pierre Cottance
Raymond Danon

Production Secretary:
Fanchette Brie

Screenplay:
Jacques Vilfrid
Jean Girault

Script Consultant:
Christiane Vilfrid

Second Assistant Art Director:
Alain Gouze

Set Decoration:
Sydney Bettex

Set Dresser:
Guy Maugin

Sound:
René Sarazin

Sound Assistant:
Vartan Karakeusian
Paul Pauwels

Still Photographer:
Marcel Dolé

Story:
Louis Sapin

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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